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Charles Frantz provides a quantitative and qualitative analysis of Debussy's music through the lens of Bergson's philosophical perspective of durée, revealing his 'revolution' in musical time.
Charles Frantz provides a quantitative and qualitative analysis of Debussy's music through the lens of Bergson's philosophical perspective of durée, revealing his 'revolution' in musical time.
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Charles Frederick Frantz is a guitarist, pianist, and educator. He has over 30 years of teaching experience in music history, theory, piano, and guitar along with a breadth of performance experience that includes concerts at Carnegie Hall and the Philadelphia Academy of Music. He leads the New Jersey Jazz Quartet on guitar and regularly performs as a soloist in piano concerts.
Inhaltsangabe
Introduction 1. Enigmas 2. A Bergson Perspective for the Analysis of Debussy's Music 3. Debussy and Bergson in Paris: Perspectives on Spiritualism, Materialism, Science, and Nature 4. Bergson, Proust, and Debussy: Correspondences and Distinctions 5. La Durée: Intuition, Nature, and Fluidity 6. 'The Perception of Change': An Indivisible Reality 7. Ondine: The Apparent Paradox of Changeability and Indivisibility 8. Evoking Ancient Memories 9. Humor and the Living 10. Debussy's Egypt: Stasis and Mobility in Canope 11. Debussy's Music, Bergson's La Durée: The Act of Creation in Painting Conclusion Bibliography Index
Introduction 1. Enigmas 2. A Bergson Perspective for the Analysis of Debussy's Music 3. Debussy and Bergson in Paris: Perspectives on Spiritualism, Materialism, Science, and Nature 4. Bergson, Proust, and Debussy: Correspondences and Distinctions 5. La Durée: Intuition, Nature, and Fluidity 6. 'The Perception of Change': An Indivisible Reality 7. Ondine: The Apparent Paradox of Changeability and Indivisibility 8. Evoking Ancient Memories 9. Humor and the Living 10. Debussy's Egypt: Stasis and Mobility in Canope 11. Debussy's Music, Bergson's La Durée: The Act of Creation in Painting Conclusion Bibliography Index
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