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Decadent Aesthetics and the Acrobat in the French Fin de siècle explores the myth of the sad clown as an allegory for the unappreciated artist, examining the circus posters of Jules Chéret, Thomas Couture's Pierrot and Harlequin paintings, and Honoré Daumier's saltimbanque paintings.

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Produktbeschreibung
Decadent Aesthetics and the Acrobat in the French Fin de siècle explores the myth of the sad clown as an allegory for the unappreciated artist, examining the circus posters of Jules Chéret, Thomas Couture's Pierrot and Harlequin paintings, and Honoré Daumier's saltimbanque paintings.


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Autorenporträt
Jennifer Forrest is Professor of French at Texas State University. She is the editor of The Legend Returns and Dies Harder Another Day: Essays on Film Series (McFarland, 2008) and co-editor of Dead Ringers: The Remake in Theory and Practice (SUNY, 2002).