Sarah Dillon

Deconstruction, Feminism, Film (eBook, ePUB)

• Format: ePub

Produktbeschreibung

The writings of Jacques Derrida have had a profound but complex influence on both film studies and on feminism. In the first work of its kind, Deconstruction, Feminism, Film explores the interconnections between these three fields through detailed filmic and philosophical close readings. Employing a dual feminist methodology of critique and generation, this book probes the feminist faultlines in Derrida's thought and generates original feminist insight into key concerns of contemporary film studies, including spectatorship, realism vs artifice, narrative, adaptation, auto/biography and the still. In theory and in practice, Deconstruction, Feminism, Film performs the possibilities of a new twenty-first century feminist spectatorship.

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Produktdetails

• Verlag: Edinburgh University Press
• Erscheinungstermin: 22. Januar 2019
• Englisch
• ISBN-13: 9781474434218
• Artikelnr.: 55072225

Autorenporträt

Sarah Dillon is a feminist film and literary critic and theorist in the Faculty of English at the University of Cambridge. She is author of The Palimpsest: Literature, Criticism, Theory (2007), editor of David Mitchell: Critical Essays (2011), and co-editor of Maggie Gee: Critical Essays (2015). She is the General Editor of the book series Gylphi Contemporary Writers: Critical Essays, and broadcasts regularly on BBC Radio 3 and 4.

Inhaltsangabe

Acknowledgements
Abbreviations of Works Cited by Jacques Derrida
List of Illustrations
Introduction: Departing From Proust
Chapter One: Deconstruction, Feminism, Film
Chapter Two: Supplanting Spectrality
Chapter Three: Feminist Countersignature
Chapter Four: Auto/Biography
Chapter Five: How Do I Look?
Bibliography
Filmography
Index