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  • Format: ePub

Deleuze and Film explores how different films from around the world 'think' about topics like history, national identity, geopolitics, ethics, gender, genre, affect, religion, surveillance culture, digital aesthetics and the body. Greatly expanding on the range of films discussed in Deleuze's 'Cinema' books, the contributors look at Asian films including 'Godzilla', American film noir, European art films like 'Red Road', documentaries including the animated 'Waltz with Bashir' and Hollywood CGI Blockbusters such as 'Hellboy'.

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Produktbeschreibung
Deleuze and Film explores how different films from around the world 'think' about topics like history, national identity, geopolitics, ethics, gender, genre, affect, religion, surveillance culture, digital aesthetics and the body. Greatly expanding on the range of films discussed in Deleuze's 'Cinema' books, the contributors look at Asian films including 'Godzilla', American film noir, European art films like 'Red Road', documentaries including the animated 'Waltz with Bashir' and Hollywood CGI Blockbusters such as 'Hellboy'.

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Autorenporträt
David Martin-Jones is Professor of Film Studies at the University of Glasgow William Brown is a Senior Lecturer in Film at the University of Roehampton, London. He is the author of various books, including Non-Cinema: Global Digital Filmmaking and the Multitude (Bloomsbury, 2018) and Supercinema: Film-Philosophy for the Digital Age (Berghahn, 2013). He is also a maker of micro-budget films, including En Attendant Godard (2009), Selfie (2014) and This is Cinema (2019).