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  • Format: ePub

IN UNDERTAKING to describe the recent and strange incidents in our town, till lately wrapped in uneventful obscurity, I find myself forced in absence of literary skill to begin my story rather far back, that is to say, with certain biographical details concerning that talented and highly-esteemed gentleman, Stepan Trofimovitch Verhovensky. I trust that these details may at least serve as an introduction, while my projected story itself will come later. I will say at once that Stepan Trofimovitch had always filled a particular rôle among us, that of the progressive patriot, so to say, and he…mehr

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Produktbeschreibung
IN UNDERTAKING to describe the recent and strange incidents in our town, till lately wrapped in uneventful obscurity, I find myself forced in absence of literary skill to begin my story rather far back, that is to say, with certain biographical details concerning that talented and highly-esteemed gentleman, Stepan Trofimovitch Verhovensky. I trust that these details may at least serve as an introduction, while my projected story itself will come later. I will say at once that Stepan Trofimovitch had always filled a particular rôle among us, that of the progressive patriot, so to say, and he was passionately fond of playing the part-so much so that I really believe he could not have existed without it. Not that I would put him on a level with an actor at a theatre, God forbid, for I really have a respect for him. This may all have been the effect of habit, or rather, more exactly of a generous propensity he had from his earliest years for indulging in an agreeable day-dream in which he figured as a picturesque public character.

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Autorenporträt
FYODOR MIKAILOVICH DOSTOEVSKY's life was as dark and dramatic as the great novels he wrote. He was born in Moscow in 1821. A short first novel, Poor Folk (1846) brought him instant success, but his writing career was cut short by his arrest for alleged subversion against Tsar Nicholas I in 1849. His prison experiences coupled with his conversion to a profoundly religious philosophy formed the basis for his great novels. But it was his fortuitous marriage to Anna Snitkina, following a period of utter destitution brought about by his compulsive gambling, that gave Dostoevsky the emotional stability to complete Crime and Punishment (1866), The Idiot (1868–69), Demons (1871–72), and The Brothers Karamazov (1879–80). When Dostoevsky died in 1881, he left a legacy of masterworks that influenced the great thinkers and writers of the Western world and immortalized him as a giant among writers of world literature. RICHARD PEVEAR has published translations of Alain, Yves Bonnefoy, Albert Savinio, and Pavel Florensky, as well as two books of poetry. He has received fellowships for translation from the National Endowment for the Arts, the Ingram Merrill Foundation, the Guggenheim Foundation, and a grant from the National Endowment for the Humanities in support of the translation of The Brothers Karamazov. LARISSA VOLOKHONSKY was born in Leningrad. She has translated the work of the prominent Orthodox theologians Alexander Schmemann and John Meyendorff. Pevear and Volokhonsky were awarded the PEN Book-of-the-Month Club Translation Prize for their version of The Brothers Karamazov. They are married and live in France.