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Beginning in 1949, Dewey Phillips brought rock 'n' roll to the Memphis airwaves by playing Howlin' Wolf, B. B. King, and Muddy Waters on his nightly radio show Red, Hot and Blue. The mid-South's most popular white deejay, "Daddy-O-Dewey" is part of rock 'n' roll history for being the first major disc jockey to play Elvis Presley (and subsequently to conduct the first live, on-air interview with Elvis). This book illustrates Phillips's role in turning a huge white audience on to previously forbidden race music. Using personal interviews, documentary sources, and the oral history collections at…mehr
Beginning in 1949, Dewey Phillips brought rock 'n' roll to the Memphis airwaves by playing Howlin' Wolf, B. B. King, and Muddy Waters on his nightly radio show Red, Hot and Blue. The mid-South's most popular white deejay, "Daddy-O-Dewey" is part of rock 'n' roll history for being the first major disc jockey to play Elvis Presley (and subsequently to conduct the first live, on-air interview with Elvis). This book illustrates Phillips's role in turning a huge white audience on to previously forbidden race music. Using personal interviews, documentary sources, and the oral history collections at the Center for Southern Folklore and the University of Memphis, Louis Cantor presents a very personal view of the disc jockey while arguing for his place as an essential part of rock 'n' roll history.
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Autorenporträt
Louis Cantor
Inhaltsangabe
Cover Title Page Copyright Page Contents Acknowledgments Introduction 1. Programmed Chaos: Dewey Phillips on the Air 2. Before the Storm: Dewey Arrives at the Five-and-Dime 3. The White Brother on Beale Street 4. The New Memphis Sound: The Birth of Black Programming 5. "What in the World Is That?" Is This Guy Black or White? Illustrations follow page 86 6. Racial Cross-Pollination: Black and White Together 7. The Great Convergence: Pop Tuner' One-Stop 8. The Phillips Boys: Soul (Better than Blood) Brothers 9. Red, Hot and Blue: The Hottest Cotton-Pickin' Thang in the Country 10. Dewey and Elvis: The Synthesized Sound 11. Dewey Introduces Elvis to the World Illustrations follow page 158 12. The King and His Court Jester: Men-Children in the Promised Land 13. "Red Hot at First . . . Blue at the Very End" 14. The Final Descent: "If Dewey Couldn't be Number One, He Didn''t Wanna Be" 15. "Goodbye, Good People" 16. The Legacy: The Next Generation and Beyond Epilogue Notes Bibliography Index
Cover Title Page Copyright Page Contents Acknowledgments Introduction 1. Programmed Chaos: Dewey Phillips on the Air 2. Before the Storm: Dewey Arrives at the Five-and-Dime 3. The White Brother on Beale Street 4. The New Memphis Sound: The Birth of Black Programming 5. "What in the World Is That?" Is This Guy Black or White? Illustrations follow page 86 6. Racial Cross-Pollination: Black and White Together 7. The Great Convergence: Pop Tuner' One-Stop 8. The Phillips Boys: Soul (Better than Blood) Brothers 9. Red, Hot and Blue: The Hottest Cotton-Pickin' Thang in the Country 10. Dewey and Elvis: The Synthesized Sound 11. Dewey Introduces Elvis to the World Illustrations follow page 158 12. The King and His Court Jester: Men-Children in the Promised Land 13. "Red Hot at First . . . Blue at the Very End" 14. The Final Descent: "If Dewey Couldn't be Number One, He Didn''t Wanna Be" 15. "Goodbye, Good People" 16. The Legacy: The Next Generation and Beyond Epilogue Notes Bibliography Index
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