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Resituates Katherine Mansfield as an observant diarist, chronicler of her times and erudite reader of English and European literaturesPreviously only available as edited excerpts or as largely unedited transcriptions, Katherine Mansfield's diaries and notebooks have been re-transcribed and minutely edited for the first time, and are presented in this volume with precise historical, cultural and biographical contextual information. The entries show Mansfield's evolution as a writer as well as the impact of her era on early drafts of her mature writings. This volume also contains fascinating new…mehr

Produktbeschreibung
Resituates Katherine Mansfield as an observant diarist, chronicler of her times and erudite reader of English and European literaturesPreviously only available as edited excerpts or as largely unedited transcriptions, Katherine Mansfield's diaries and notebooks have been re-transcribed and minutely edited for the first time, and are presented in this volume with precise historical, cultural and biographical contextual information. The entries show Mansfield's evolution as a writer as well as the impact of her era on early drafts of her mature writings. This volume also contains fascinating new material never previously published - poem-cycles, letters, Mansfield's own illustrations, and the last materials she was working on in the final weeks of her life. A detailed index facilitates cross-reading and referencing for scholars and general readers alike.

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Autorenporträt
Gerri Kimber is a Visiting Professor in the Department of English at the University of Northampton and is co-editor of the annual yearbook Katherine Mansfield Studies. She is the deviser and series editor of the four-volume Edinburgh Edition of the Collected Works of Katherine Mansfield (2016) and the author of Katherine Mansfield: The View from France and A Literary Modernist: Katherine Mansfield and the Art of the Short Story. Claire Davison is Professor of Modernist Studies at the Université Sorbonne Nouvelle, Paris, where her teaching and research focus on the borders and boundaries of modernism; this includes the translation and reception of Russian literature in the 1910s-20s, cross-Channel modernist dialogues, and literary and musical modernism. Her current research bears on modernist soundscapes and broadcasting in the 1920s-30s.