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Dictionary of Indology presents the history of Indian Scriptures, Language, Literature and Humanities in all the forms, colours and dimensions; not graphically but alphabetically; from the most primitive time to the recent past; through detailed description of and references to, almost all the books available and the authors known in both Vedic and Laukika Samskrit. It deals mostly with the facts but some critical insight is also given wherever needed or necessary. Such a handy book was the need of the time as most of us are unfamiliar with most of the stupendous works by intellectual doyens.…mehr

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Produktbeschreibung
Dictionary of Indology presents the history of Indian Scriptures, Language, Literature and Humanities in all the forms, colours and dimensions; not graphically but alphabetically; from the most primitive time to the recent past; through detailed description of and references to, almost all the books available and the authors known in both Vedic and Laukika Samskrit. It deals mostly with the facts but some critical insight is also given wherever needed or necessary. Such a handy book was the need of the time as most of us are unfamiliar with most of the stupendous works by intellectual doyens. A familiarity and affection will instantly grow, which will bring the readers close to the richest and widest range of illuminating products of sublime minds.


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Autorenporträt
The author of Dictionary of Indology Dr. Vishnulok Bihari Srivastava is currently working as senior lecturer in English at Rohtas Mahila College, Sasaram. Apart from his own field of study he is keenly interested in Indology and comparative aesthetics. The present book is sufficient testimony to his interest in Indology which, of course, is not a new subject, though it still needs fresh treatment and further exploration. Dr. Srivastava has contributed research papers to magazines and journals of repute in India. His Ph.D. thesis entitled Critical Polemics in Contemporary English Literature is an attempt to traverse new grounds in contemporary literary criticism. He has read Indology and comparative aesthetics widely and deeply which is evident from his present book as well as his papers and his Ph.D. dissertations.