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This book provides an overview of various application spheres and supports further innovations needed in information management and in the processes of knowledge generation. The professions, organizations and scientific associations involved are unusually challenged by the complexity of the data situation. Cartography has always been the central field of application for georeferencing digital cultural heritage (DCH) objects. It is particularly important in enabling spatial relation analysis between any number of DCH objects or of their granular details. In addition to the pure geometric…mehr
This book provides an overview of various application spheres and supports further innovations needed in information management and in the processes of knowledge generation. The professions, organizations and scientific associations involved are unusually challenged by the complexity of the data situation. Cartography has always been the central field of application for georeferencing digital cultural heritage (DCH) objects. It is particularly important in enabling spatial relation analysis between any number of DCH objects or of their granular details. In addition to the pure geometric aspects, the cognitive relations that lead to knowledge representation and derivation of innovative use processes are also of increasing importance. Further, there is a societal demand for spatial reference and analytics (e.g. the extensive use of cognitive concepts of "map" and "atlas" for a variety of social topics in the media). There is a huge geometrical-logical-cognitive potential for complex, multimedia, digital-cultural-heritage databases and stakeholders expect handling, transmission and processing operations with guaranteed long-term availability for all other stakeholders. In the future, whole areas of digital multimedia databases will need to be processed to further our understanding of historical and cultural contexts. This is an important concern for the information society and presents significant challenges for cartography in all these domains. This book collects innovative technical and scientific work on the entire process of object digitization, including detail extraction, archiving and interoperability of multimedia DCH data.
Augmenting Network Analysis with Linked Data for Humanities Research.- A Memorial Design Pattern Catalogue for commemorative digital culture.- Annotation in Digital Humanities.- Establishment of a complex database for the study of cultural her-itage through the reading and analysis of the traditional architecture of Upper Kama.- Urban History Research and Discovery in the Age of Digital Repositories. A Report about Users and Requirements.- Digital Infrastructures for Digital Humanities in International Textbook Research.-Digital preservation of cultural heritage for small institutions.- Body As Echoes: Cyber Archiving of Buddhist Deities In the Cave Temples of China.- A Multivariate Use of Digital Cultural Heritage: Online Resources for Archaeology in the DBAS – MUSINT Websites.- Rebuilding the Past: 3D Reconstruction and BIM Analysis of a Neolithic House at La Draga.- 3D Modeling applications to terracotta figurines from Plakomenos, Greece.- Virtual Collection of Cuneiform Tablets as a Complex Multilevel System with Interdisciplinary Content.- The Potentials of the Digital Cultural Heritage: A Best practice Example of Presentation and Use. The Digital Representation of the Hans Gross Kriminalmuseum.- Planning for the End from the Start: an Argument for Digital Stewardship, Long-Term Thinking and Alternative Capture Approaches for Digital Content.- Semantic Data-Modelling and Long-term Interpretability of Cultural Heritage Data – Three Case Studies.- From classic (analogue) to digital forms of cultural heritage protection in Poland.- From classic (analogue) to digital forms of cultural heritage protection in Poland.- Libraries, Archives, and Museums Interwoven in the Digital South: From a Paucity of Resources to Data Richness for Understanding the South Asian Subcontinent .- Cultural Heritage digital data: future and ethics.- The Cartography Project: towards a relational form of documentation, the case of participatory art practices in museums and art galleries.- Digitization of old maps and possible on-line tools for their use.-efoto Hamburg: From Image Data to a Digitally Mediated Cultural Heritage Process.- 3D sketching of the fortified entrance of the Citadel of Aleppo from a few sightseeing photos.-The integrated survey of the Pergmum by Nicola Pisano in the cathedral of Pisa.- Virtual representation of archaeological stratigraphy. 3D modeling and interactive presentation of the late roman towers (Archaeological Museum , Milan).- Opening up Research Data in Film Studies by Using the Structured Knowledge Base Wikidata.- Gamification in cultural heritage: A tangible user interface game for learning about local heritage.- Quasi–Mixed Reality in Digital Cultural Heritage. Combining 3D Reconstructions with Real Structures on Location – the Case of Ancient Phalasarna.- Digitization of Acoustic Heritage in a service ofProtection, Research and Promotion of European Cultural Heritage.
Augmenting Network Analysis with Linked Data for Humanities Research.- A Memorial Design Pattern Catalogue for commemorative digital culture.- Annotation in Digital Humanities.- Establishment of a complex database for the study of cultural her-itage through the reading and analysis of the traditional architecture of Upper Kama.- Urban History Research and Discovery in the Age of Digital Repositories. A Report about Users and Requirements.- Digital Infrastructures for Digital Humanities in International Textbook Research.-Digital preservation of cultural heritage for small institutions.- Body As Echoes: Cyber Archiving of Buddhist Deities In the Cave Temples of China.- A Multivariate Use of Digital Cultural Heritage: Online Resources for Archaeology in the DBAS - MUSINT Websites.- Rebuilding the Past: 3D Reconstruction and BIM Analysis of a Neolithic House at La Draga.- 3D Modeling applications to terracotta figurines from Plakomenos, Greece.- Virtual Collection of Cuneiform Tablets as a Complex Multilevel System with Interdisciplinary Content.- The Potentials of the Digital Cultural Heritage: A Best practice Example of Presentation and Use. The Digital Representation of the Hans Gross Kriminalmuseum.- Planning for the End from the Start: an Argument for Digital Stewardship, Long-Term Thinking and Alternative Capture Approaches for Digital Content.- Semantic Data-Modelling and Long-term Interpretability of Cultural Heritage Data - Three Case Studies.- From classic (analogue) to digital forms of cultural heritage protection in Poland.- From classic (analogue) to digital forms of cultural heritage protection in Poland.- Libraries, Archives, and Museums Interwoven in the Digital South: From a Paucity of Resources to Data Richness for Understanding the South Asian Subcontinent .- Cultural Heritage digital data: future and ethics.- The Cartography Project: towards a relational form of documentation, the case of participatory art practices in museums and art galleries.- Digitization of old maps and possible on-line tools for their use.-efoto Hamburg: From Image Data to a Digitally Mediated Cultural Heritage Process.- 3D sketching of the fortified entrance of the Citadel of Aleppo from a few sightseeing photos.-The integrated survey of the Pergmum by Nicola Pisano in the cathedral of Pisa.- Virtual representation of archaeological stratigraphy. 3D modeling and interactive presentation of the late roman towers (Archaeological Museum , Milan).- Opening up Research Data in Film Studies by Using the Structured Knowledge Base Wikidata.- Gamification in cultural heritage: A tangible user interface game for learning about local heritage.- Quasi-Mixed Reality in Digital Cultural Heritage. Combining 3D Reconstructions with Real Structures on Location - the Case of Ancient Phalasarna.- Digitization of Acoustic Heritage in a service ofProtection, Research and Promotion of European Cultural Heritage.
Augmenting Network Analysis with Linked Data for Humanities Research.- A Memorial Design Pattern Catalogue for commemorative digital culture.- Annotation in Digital Humanities.- Establishment of a complex database for the study of cultural her-itage through the reading and analysis of the traditional architecture of Upper Kama.- Urban History Research and Discovery in the Age of Digital Repositories. A Report about Users and Requirements.- Digital Infrastructures for Digital Humanities in International Textbook Research.-Digital preservation of cultural heritage for small institutions.- Body As Echoes: Cyber Archiving of Buddhist Deities In the Cave Temples of China.- A Multivariate Use of Digital Cultural Heritage: Online Resources for Archaeology in the DBAS – MUSINT Websites.- Rebuilding the Past: 3D Reconstruction and BIM Analysis of a Neolithic House at La Draga.- 3D Modeling applications to terracotta figurines from Plakomenos, Greece.- Virtual Collection of Cuneiform Tablets as a Complex Multilevel System with Interdisciplinary Content.- The Potentials of the Digital Cultural Heritage: A Best practice Example of Presentation and Use. The Digital Representation of the Hans Gross Kriminalmuseum.- Planning for the End from the Start: an Argument for Digital Stewardship, Long-Term Thinking and Alternative Capture Approaches for Digital Content.- Semantic Data-Modelling and Long-term Interpretability of Cultural Heritage Data – Three Case Studies.- From classic (analogue) to digital forms of cultural heritage protection in Poland.- From classic (analogue) to digital forms of cultural heritage protection in Poland.- Libraries, Archives, and Museums Interwoven in the Digital South: From a Paucity of Resources to Data Richness for Understanding the South Asian Subcontinent .- Cultural Heritage digital data: future and ethics.- The Cartography Project: towards a relational form of documentation, the case of participatory art practices in museums and art galleries.- Digitization of old maps and possible on-line tools for their use.-efoto Hamburg: From Image Data to a Digitally Mediated Cultural Heritage Process.- 3D sketching of the fortified entrance of the Citadel of Aleppo from a few sightseeing photos.-The integrated survey of the Pergmum by Nicola Pisano in the cathedral of Pisa.- Virtual representation of archaeological stratigraphy. 3D modeling and interactive presentation of the late roman towers (Archaeological Museum , Milan).- Opening up Research Data in Film Studies by Using the Structured Knowledge Base Wikidata.- Gamification in cultural heritage: A tangible user interface game for learning about local heritage.- Quasi–Mixed Reality in Digital Cultural Heritage. Combining 3D Reconstructions with Real Structures on Location – the Case of Ancient Phalasarna.- Digitization of Acoustic Heritage in a service ofProtection, Research and Promotion of European Cultural Heritage.
Augmenting Network Analysis with Linked Data for Humanities Research.- A Memorial Design Pattern Catalogue for commemorative digital culture.- Annotation in Digital Humanities.- Establishment of a complex database for the study of cultural her-itage through the reading and analysis of the traditional architecture of Upper Kama.- Urban History Research and Discovery in the Age of Digital Repositories. A Report about Users and Requirements.- Digital Infrastructures for Digital Humanities in International Textbook Research.-Digital preservation of cultural heritage for small institutions.- Body As Echoes: Cyber Archiving of Buddhist Deities In the Cave Temples of China.- A Multivariate Use of Digital Cultural Heritage: Online Resources for Archaeology in the DBAS - MUSINT Websites.- Rebuilding the Past: 3D Reconstruction and BIM Analysis of a Neolithic House at La Draga.- 3D Modeling applications to terracotta figurines from Plakomenos, Greece.- Virtual Collection of Cuneiform Tablets as a Complex Multilevel System with Interdisciplinary Content.- The Potentials of the Digital Cultural Heritage: A Best practice Example of Presentation and Use. The Digital Representation of the Hans Gross Kriminalmuseum.- Planning for the End from the Start: an Argument for Digital Stewardship, Long-Term Thinking and Alternative Capture Approaches for Digital Content.- Semantic Data-Modelling and Long-term Interpretability of Cultural Heritage Data - Three Case Studies.- From classic (analogue) to digital forms of cultural heritage protection in Poland.- From classic (analogue) to digital forms of cultural heritage protection in Poland.- Libraries, Archives, and Museums Interwoven in the Digital South: From a Paucity of Resources to Data Richness for Understanding the South Asian Subcontinent .- Cultural Heritage digital data: future and ethics.- The Cartography Project: towards a relational form of documentation, the case of participatory art practices in museums and art galleries.- Digitization of old maps and possible on-line tools for their use.-efoto Hamburg: From Image Data to a Digitally Mediated Cultural Heritage Process.- 3D sketching of the fortified entrance of the Citadel of Aleppo from a few sightseeing photos.-The integrated survey of the Pergmum by Nicola Pisano in the cathedral of Pisa.- Virtual representation of archaeological stratigraphy. 3D modeling and interactive presentation of the late roman towers (Archaeological Museum , Milan).- Opening up Research Data in Film Studies by Using the Structured Knowledge Base Wikidata.- Gamification in cultural heritage: A tangible user interface game for learning about local heritage.- Quasi-Mixed Reality in Digital Cultural Heritage. Combining 3D Reconstructions with Real Structures on Location - the Case of Ancient Phalasarna.- Digitization of Acoustic Heritage in a service ofProtection, Research and Promotion of European Cultural Heritage.
Rezensionen
"The contributions in the volume offer useful insight into an array of possible solutions for practicing digital cultural heritage, acting as a cross-section of the state of the research field. They provide vivid descriptions of the practical aspects of the research projects and the reader should expect some technical proposals, as many contributions aim to be systematic in their explanations of their methodologies, as well as of the tools they benefited from or worked on developing." (Stefan Trajkovic-Filipovic,KULT_online - Review Journal for the Study of Culture, Issue 63, April, 2021)
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