Since the classical antiquity, dialogue has been a basic form of literary expression in the theater and as a medium of philosophical reflection. Bachtin used the category of dialogicity as a key to the understanding of the tradition of the European novel, and poets such as Paul Celan made it the basis of the modern poetology, although poetic intercourse was already common in the medieval Minnelyrik. On Bachtin's understanding of dialogicity the intertextuality research, which has been much noticed in recent decades, is based. At the same time, tendencies are emerging that deviate the word "dialogue" through too frequent application. Precisely for this reason it is worthwhile to take a critical look at the development of these categories and to re-evaluate their relevance for the European word culture.
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