Michael Rabiger, Mick Hurbis-Cherrier

Directing (eBook, ePUB)

Film Techniques and Aesthetics

• Format: ePub

Produktbeschreibung

Directing: Film Techniques and Aesthetics is a comprehensive exploration into the art and craft of directing for film and television. It's filled with practical advice, essential technical information, and inspiring case studies for every stage of production, as well as a companion website including forms, checklists, assignments.

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Produktdetails

• Verlag: Taylor & Francis eBooks
• Seitenzahl: 604
• Erscheinungstermin: 13. Februar 2020
• Englisch
• ISBN-13: 9781351186377
• Artikelnr.: 58651272

Autorenporträt

Michael Rabiger has directed or edited over 35 films, was a founding faculty member and then Chair of the Film/Video Department at Columbia College Chicago, and has given workshops in over 23 countries. He is an Honorary Professor at Buenos Aires University, and a Fulbright Specialist. Rabiger is also the author of Developing Story Ideas and the enormously successful Directing the Documentary, both for Routledge/Focal Press.

Mick Hurbis-Cherrier teaches filmmaking at Hunter College in New York City. Professionally, he has worked as a screenwriter, director, cinematographer, and editor, and his films have garnered prizes at numerous festivals. He is the author of Voice & Vision: A Creative Approach to Filmmaking (Routledge/Focal Press), in its third edition.

Inhaltsangabe

CONTENTS
Introduction
PART 1: THE DIRECTOR AND ARTISTIC IDENTITY
1 THE WORLD OF THE FILM DIRECTOR
2 DEVELOPING AS A DIRECTOR
PART 2: THE STORY AND ITS DEVELOPMENT
3 ESSENTIAL ELEMENTS OF DRAMA
4 SHAPING THE STORY INTO DRAMA
5 PLOT, TIME, AND STRUCTURE
PART 3: THE DIRECTOR AND THE SCRIPT
6 SCREENPLAY GROUND RULES
7 RECOGNIZING THE SUPERIOR SCREENPLAY
8 SCRIPT ANALYSIS AND DEVELOPMENT
PART 4: AUTHORSHIP AND AESTHETICS
9 CINEMATIC POINT OF VIEW
10 FORM AND STYLE
11 TONE, STYLE AND GENRE
PART 5: A DIRECTOR'S SCREEN GRAMMAR
12 FILM LANGUAGE
13 THE FRAME AND THE SHOT
14 THE MOVING CAMERA
15 LANGUAGE OF THE EDIT
16 THE HUMAN VANTAGE OF CINEMATIC LANGUAGE
PART 6: PREPRODUCTION
17 EXPLORING THE SCRIPT
18 CASTING
19 ACTING FUNDAMENTALS 227
20 DIRECTING ACTORS
21 REHEARSALS
22 ACTING EXERCISE
23 PLANNING THE VISUAL DESIGN
24 DEVELOPING THE SHOOTING SCRIPT
25 LINE PRODUCING AND LOGISTICS
PART 7: PRODUCTION
26 DEVELOPING A PRODUCTION CREW
27 THE DIRECTOR AND PRODUCTION TECH
28 ON SET: PRODUCTION BEGINS
29 DIRECTING ON THE SET
30 MONITORING CONTINUITY AND PROGRESS
PART 8: POSTPRODUCTION
31 POSTPRODUCTION OVERVIEW
32 EDITING BEGINS: GETTING TO KNOW THE FOOTAGE
33 THE ROUGH CUT
34 GETTING TO FINE CUT AND PICTURE LOCK
35 WORKING WITH MUSIC
36 THE FINISHING TOUCHES
37 GETTING IT OUT THERE
Filmography
Photograph and Illustration Acknowledgements
Index