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The ways we encounter contemporary art and performance is changing. Installations brim with archival documents. Dances stretch for weeks. Performances last a minute. Exhibitions are spread out over thirty venues. There are endless artworks about mid-century architecture and design. How are we expected to engage with today's diverse practise? Is the old model of close-looking still the ideal, or has it given way to browsing, skimming, and sampling? Across four essays, art historian and critic Claire Bishop identifies trends in contemporary practice - research-based installations, performance…mehr
The ways we encounter contemporary art and performance is changing. Installations brim with archival documents. Dances stretch for weeks. Performances last a minute. Exhibitions are spread out over thirty venues. There are endless artworks about mid-century architecture and design. How are we expected to engage with today's diverse practise? Is the old model of close-looking still the ideal, or has it given way to browsing, skimming, and sampling?
Across four essays, art historian and critic Claire Bishop identifies trends in contemporary practice - research-based installations, performance exhibitions, interventions, and invocations of modernist architecture - and their challenges to traditional modes of attention. Charting a critical path through the last three decades, Bishop pinpoints how spectatorship and visual literacy are evolving under the pressures of digital technology.
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Autorenporträt
Claire Bishop is a Professor in the PhD Program in Art History at the Graduate Center, City University of New York. Her books include Installation Art: A Critical History and the award winning, Artificial Hells: Participatory Art and the Politics of Spectatorship.
Inhaltsangabe
Introduction: OS XXI, Disordering Attention 1 Research-Based Art: Information Overload 2 Performance Exhibitions: Black Box, White Cube, Grey Zone 3 Interventions: Seizing the Moment 4 Invocations: Contemporary Art Quotes Modernist Architecture Epilogue Acknowledgements Notes Illustration Credits Index
Introduction: OS XXI, Disordering Attention 1 Research-Based Art: Information Overload 2 Performance Exhibitions: Black Box, White Cube, Grey Zone 3 Interventions: Seizing the Moment 4 Invocations: Contemporary Art Quotes Modernist Architecture Epilogue Acknowledgements Notes Illustration Credits Index
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