Claire Bishop

eBook, ePUB

Disordered Attention (eBook, ePUB)

How We Look at Art and Performance Today

Beschreibung

The reception of art and performance is changing. Smartphones and social media have troubled the old model of individual appreciation and close looking, giving rise to new forms of mediated perception, such as sampling, skimming and scrolling. Charting recent trends in contemporary practice - research-based installations, performance exhibitions, interventions, and invocations of modernist architecture - leading art critic Claire Bishop challenges the assumption that fully focused attention is automatically good and distraction necessarily bad.

Technische Details

• Geräte: eReader
• ohne Kopierschutz

Barrierefreiheit

• Text-to-Speech
• E-Mail des Verlags für Barrierefreiheitsfragen: [e-mail]
• Alle Texte können hinsichtlich Größe, Schriftart und Farbe angepasst werden
• Keine oder unzureichende Informationen zur Barrierefreiheit

Autor

Claire Bishop is Associate Professor in the History of Art department at the CUNY Graduate Center, New York. She is the author of Installation Art: A Critical History; Artificial Hells: Participatory Art and the Politics of Spectatorship; and editor of Participation. in 2008 she co-curated the exhibition "Double Agent" at the ICA. She is a regular contributor to Artforum, October, Tate Etc, IDEA, and other international art magazines.

Produktdetails

• Verlag: Princeton University Press
• Seitenzahl: 272
• Erscheinungstermin: 11. Juni 2024
• Englisch
• ISBN-13: 9781804292907
• Artikelnr.: 70442515

Rezensionen

Today, the most contemporary art form could be called cancelism. Cancelism as an art historical genre reflects the global shift to populism, disinformation and polarization. Cancelism is anonymous, crowd based, ubiquitous, it privileges affect over analysis, it goes beyond traditional understandings of left and right. In her lucid analysis, Claire Bishop traces some of the historical developments that led to this situation: the futurist glorification of disruption, countercultural interventions based on the model of coup d´états, artivist decisionism - different threads through which disruption and transgression were consolidated as key modes of production from Silicon Valley to Pussy Riot. For anyone who wants to understand how art functions in the age of populism, Bishops book is an indispensable guide. Hito Steyerl, author of Duty Free Art