Through interpretive readings of the works of well-known authors Toni Morrison and Leslie Marmon Silko, critically acclaimed novelist David Bradley, the well-respected but little-studied novelist Russell Banks, and the relatively unknown Leslie Feinberg, whose fiction challenges accepted notions of gender, the author explores a range of practices that place notions of identity in crucial relationship to resistance praxis. Dissenting fictions emerge in this study as imaginative narratives that perform substantial cultural work, reworking classical liberal notions of subjectivity and agency. These novels address the failure of conventional individual agency and imagine an interactive agency grounded in an awareness of both a political economy and historic power relations.
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