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The book demonstrates the experiences of Alice Childress, Lorraine Hansberry, and Suzan-Lori Parks in comparison with the dramas of each other and those of other African American women. These women playwrights created a militant theatre and a theatre of experience that applied to both the African American community in general and African and African American women in particular. They have been encompassed within African American woman's aesthetics that shares the militancy and experiencecharacterized by a triple factor: race, gender, and class.
The book demonstrates the experiences of Alice Childress, Lorraine Hansberry, and Suzan-Lori Parks in comparison with the dramas of each other and those of other African American women. These women playwrights created a militant theatre and a theatre of experience that applied to both the African American community in general and African and African American women in particular. They have been encompassed within African American woman's aesthetics that shares the militancy and experiencecharacterized by a triple factor: race, gender, and class.
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Autorenporträt
Dr Yuvraj Nimbaji Herode is an assistant professor in the Department of English and Modern European Languages, University of Allahabad, Prayagraj, Uttar Pradesh, India.
Inhaltsangabe
Acknowledgements Foreword Chapter 1- Introduction to Dramatic Movement of African American Women Chapter 2- Alice Childress Chapter 3- Lorraine Hansberry Chapter 4- Suzan-Lori Parks Chapter 5- Conclusions Bibliography Index
Acknowledgements Foreword Chapter 1- Introduction to Dramatic Movement of African American Women Chapter 2- Alice Childress Chapter 3- Lorraine Hansberry Chapter 4- Suzan-Lori Parks Chapter 5- Conclusions Bibliography Index
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