Like Elmore Leonard's Hollywood novels GET SHORTY and BE COOL, THE DRIVER: AN LA STORY skewers an industry built on nonsensical hierarchies and the personalities that hold all of the power in the film industry-and have no intention of sharing it with a nobody like George. Unlike Leonard, however, D'Alessandro writes what he knows: back when he was a struggling, unemployed screenwriter, D'Alessandro took a last-resort job driving escorts for a busy Los Angeles escort agency. (All of the clients, including the not-so thinly-veiled bold-faced names, were actual agency clients.) Besides the obvious publicity value, this insiders look at the escort industry and the semi-autobiographical nature of the story gives THE DRIVER added commercial appeal.
With his self-deprecating (and frequently hilarious) quips, THE DRIVER has in George Donato an appealing protagonist with the same appeal as Lawrence Block's comedic burglar Bernie Rhodenbarr or Janet Evanovich's Stephanie Plum. (Two short summaries for future Donato books appear at the end of the manuscript.)
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