Willis breaks out of the narrow borders of the short story by switching among the points of view of Dwight, Elaine, frazzled Susan, and obdurate Fern. She develops the four corners of this stubborn rectangle with equal care. Although Dwight is the obvious candidate for the villain of the piece, even he is not a totally unsympathetic character. Willis nicely balances empathy with implicitly moral judgment.
Her fiction leads us by the hand into dark places, and then leaves us on our own to find our way out.
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