In Early Islamic Poetry and Poetics, Suzanne Stetkevych presents a selection of the formative studies of classical Arabic poetry of the past thirty-five years, a period that has witnessed the increasing integration of classical Arabic poetry into the contemporary humanistic disciplines. For the qasida, the Arabic heroic and then courtly ode, the selected studies engage orality theory, Structuralism, ritual theory, myth, gender, ekphrastic and interarts theory, speech act and performance theory, to produce an aesthetics and sociology of poetic form. Works on the ghazal, the wine-poem, and other lyric forms reveal their sociological, psychological, structural, and thematic distinction from, and relation to, the dominant qasida-form. Stetkevych's Introduction contextualizes the selected articles in a concise critical and bibliographical essay on the major achievements and trajectories of the field.
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