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Ecocriticism and the Poiesis of Form: Holding on to Proteus demonstrates how a fractal imagination helps one hold the form of a poem within the reaches of Deep Time, and it explores the kinship between the hazy, liminal moment when Sound becomes Syllable.
Ecocriticism and the Poiesis of Form: Holding on to Proteus demonstrates how a fractal imagination helps one hold the form of a poem within the reaches of Deep Time, and it explores the kinship between the hazy, liminal moment when Sound becomes Syllable.
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Aaron M. Moe is an assistant professor of English and Environmental Studies at Saint Mary's College, Notre Dame. He earned his Ph.D. in English from Washington State University. His work on poetics, zoopoetics, and ecocriticism has appeared in several journals including ISLE, Journal of Ecocriticism, Humanimalia, and the Walt Whitman Quarterly as well as book chapters in Texts, Animals, Environments: Zoopoetics and Ecopoetics, The Edinburgh Companion to Animal Studies,and The Educational Significance of Human and Non-Human Animal Interactions. In 2014, his Zoopoetics: Animals and the Making of Poetry became a crucial step in the unfolding exploration of the energy behind the forms of poiesis.
Inhaltsangabe
Contents Illustrations Acknowledgements Note on EEC's Name and on Citing the Poetry of Dickinson and Whitman Prelude Part I: Origins; or, "the bud of the bud" The "turn / ing;edge,of / life": An Introduction Chapter 1: Protean Energy; or, The Squeeze & the Turn in Moby-Dick Chapter 2: Biosemiotics and Jody Gladding's Translations from Bark Beetle Chapter 3: Vibrational Poiesis of Insects and Arachnids Chapter 4: "Electrons / swoon in the sword fern": Plants, Seeds, and Brenda Hillman's Thoreauvian Attentiveness Part II: Energy Unleashed Chapter 5: The "worship of kinesis" in the Poetry of Emily Dickinson and Sylvia Plath Chapter 6: Machines, Protean Mimicry, and the Organic Energy of Writing Technologies Chapter 7: "plant Magic dust": A Look at the "Making obsession" Chapter 8: Holding on Chapter 9: The Squeeze of Trauma: "protean being" & 500 Years of Pressure Part III: E = mc2, the Fractal Cosmos, and the Poem Chapter 10: Mathematics and the Protean Sublime Chapter 11: Protean Energy as Hyperobject: Language and the Cosmos Chapter 12: Gaia, the Atom, and the Poem Protean Poiesis: An Afterword Bibliography Index
Contents Illustrations Acknowledgements Note on EEC's Name and on Citing the Poetry of Dickinson and Whitman Prelude Part I: Origins; or, "the bud of the bud" The "turn / ing;edge,of / life": An Introduction Chapter 1: Protean Energy; or, The Squeeze & the Turn in Moby-Dick Chapter 2: Biosemiotics and Jody Gladding's Translations from Bark Beetle Chapter 3: Vibrational Poiesis of Insects and Arachnids Chapter 4: "Electrons / swoon in the sword fern": Plants, Seeds, and Brenda Hillman's Thoreauvian Attentiveness Part II: Energy Unleashed Chapter 5: The "worship of kinesis" in the Poetry of Emily Dickinson and Sylvia Plath Chapter 6: Machines, Protean Mimicry, and the Organic Energy of Writing Technologies Chapter 7: "plant Magic dust": A Look at the "Making obsession" Chapter 8: Holding on Chapter 9: The Squeeze of Trauma: "protean being" & 500 Years of Pressure Part III: E = mc2, the Fractal Cosmos, and the Poem Chapter 10: Mathematics and the Protean Sublime Chapter 11: Protean Energy as Hyperobject: Language and the Cosmos Chapter 12: Gaia, the Atom, and the Poem Protean Poiesis: An Afterword Bibliography Index
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