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  • Format: ePub


A young couple prepare dinner - but something isn't right. In a city not so different from our own capital, a group of freedom fighters attempts to stand up to an Orwellian establishment in increasingly perilous circumstances. The story that unfolds brings into question relationships, identities and the nature of reality itself'
'Holcroft plunges us into an Orwellian near-future dystopia, where governmental aural surveillance is rife and, for political dissenters, everyday life is a carefully maintained lie. It's as theatrically playful as it is disturbing' - The Times
'not just a
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A young couple prepare dinner - but something isn't right. In a city not so different from our own capital, a group of freedom fighters attempts to stand up to an Orwellian establishment in increasingly perilous circumstances. The story that unfolds brings into question relationships, identities and the nature of reality itself'

'Holcroft plunges us into an Orwellian near-future dystopia, where governmental aural surveillance is rife and, for political dissenters, everyday life is a carefully maintained lie. It's as theatrically playful as it is disturbing' - The Times

'not just a drama of political resistance set in some parallel British dystopia, but also a cute sendup of theatre acting and writing... keeps us guessing throughout' - Guardian

'startlingly imaginative... Clever, funny and disturbing, it's a blend of conceptual prank and dystopian satire' - Evening Standard


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Autorenporträt
Sam Holcroft's other plays include Rules for Living, at the National Theatre, The Wardrobe, for National Theatre Connections, and Edgar & Annabel, part of the Double Feature season in the Paintframe at the National Theatre; Dancing Bears, part of the Charged season for Clean Break at Soho Theatre and Latitude Festival; While You Lie at the Traverse, Edinburgh; Pink, part of the Women, Power and Politics season at the Tricycle; Vanya, adapted from Chekhov, at The Gate; and Cockroach, co-produced by the National Theatre of Scotland and the Traverse (nominated for Best New Play 2008, by the Critics' Awards for Theatre in Scotland and shortlisted for the John Whiting Award, 2009). In 2013, she wrote The House Taken Over, a libretto for opera, adapted from Cortázar, for the Festival d'Aix-en-Provence and Académie Européenne de Musique. Sam received the Tom Erhardt Award in 2009, was the Pearson Writer-in-Residence at the Traverse Theatre, 2009-10, and the Writer-in-Residence at the National Theatre Studio from 2013-14. In 2014, Sam received a Windham Campbell Prize for Literature in the drama category.