This book focuses on Sir Edward Burne-Jones' mythical paintings from 1868 to 1886. His artistic training and traveling experiences, his love for the Greek-sculptress, Maria Zambaco, and his aesthetic sensibility provided the background for these mythical paintings. This book analyzes two main concepts: Burne-Jones' assimilation of Neoplatonic ideal beauty as depicted in his solo and narrative paintings, and Burne-Jones' fusion of the classical and emblematic traditions in his imagery.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
«To conclude, Cheney's in-depth study of Burne-Jones's work offers a significant contribution to scholarship on this artist. The book does not attempt a summary of the artist's life, and nor is it a superficial overview of his oeuvre. It is, instead, well-researched, providing provocative and sophisticated explorations of Burne-Jones's creative, philosophical, iconological, and personal artistic motives.»
(Sarah Lippert, Paragone Society Journal 2018)
(Sarah Lippert, Paragone Society Journal 2018)