Steffen Hven

Enacting the Worlds of Cinema (eBook, ePUB)

• Format: ePub

Produktbeschreibung

Enacting the Worlds of Cinema offers a substantial reconfiguration of the textual roots of modern film narratology. By giving sustained attention to cinema's material-affective modes of communicating its stories and embedding its audience in atmospheric, kinetic, and multisensorial worlds, this book maintains that film narratives are less representations than they are enactments; brought forth through the interactions of the felt body and the film material. The book defends this enactive and media-anthropological thesis by reworking a series of established film narratological key concepts including the diegesis, mood/atmosphere, and the distinction between diegetic and non-diegetic sound. In the process, this book draws on a wide range of contemporary theoretical resources such as affective neuroscience, media-philosophy, philosophy of mind, atmosphere research, multisensory perception theory as well as a broad selection of films including Berlin: Symphony of a Great City (Ruttmann, 1927), The Cranes are Flying (Kalatozov, 1957) and Happy as Lazzaro (Rohrwacher, 2018).

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Produktdetails

• Verlag: Oxford University Press
• Erscheinungstermin: 30. September 2022
• Englisch
• ISBN-13: 9780197555125
• Artikelnr.: 65714717

Autorenporträt

Steffen Hven currently lectures in Film Studies at the Freie University of Berlin. He has previously been a Visiting Fellow at the Cinepoetics and the University of Chicago and an Associate Postdoc at the Bauhaus-Universit?t Weimar, where he also obtained his PhD in Film Studies in 2015. He is the author of Cinema and Narrative Complexity: Embodying the Fabula (2017) and his work has been published in journals such as NECSUS, 16:9, and Fata Morgana. He has been awarded research grants from foundations such as the German Research Foundation, the Fritz Thyssen Foundation, and the Bauhaus Research School.

Inhaltsangabe

Acknowledgements
Introduction
Chapter 1: The Diegesis as Environment: A New Theory of Film Worlds
Chapter 2: The Atmospheric Worlds of Cinema
Chapter 3: Narrative Experientiality and Affect
Chapter 4: The Moving Camera and the Motor-Affective Arrangement of Films
Chapter 5: Narratives Spaces and Sonic Environments
Afterword
Index