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Humor at its best is a somewhat fluid and transitory element, but most books about it are illustrated with hardened old jokes from the comic papers, or classic witticisms jerked out of their context
Humor at its best is a somewhat fluid and transitory element, but most books about it are illustrated with hardened old jokes from the comic papers, or classic witticisms jerked out of their context
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Autorenporträt
Max Eastman
Inhaltsangabe
1: Fun and Funny 2: Babies and Grown-Ups 3: Why We Laugh Like Human Beings 1: The Importance of Not Being Earnest 2: The Gift of Being Tickled 3: Infant Laughter 4: Do Babies Feel Derisive? 5: Adult Laughter 6: Eddie Cantor on the Auction Block 4: Varieties of Humorous Experience 11: Witty Jokes and Ludicrous Perceptions 12: The Definition of Wit 13: That Nonsense Must Be Plausible 14: Funny Things and People 15: Funny Pictures 16: Poetic Humor 17: Comical Figures of Speech 18: Two Kinds of Comic Action 19: A Mote on Comic Styles 20: Poetic and Pictorial Humor with a Point: Cartoons 21: That Rich Jokes Are Both Witty and Ludicrous 5: Having Fun With Language 22: Atrocious Puns 23: Witty Puns 24: Poetic Puns 25: The Fun of Distorted Words 26: That Bad Grammar Is Good Fun 6: Laughing at Too-Much and Not-Enough 27: Exaggeration 28: Exaggeration as a Weapon: Caricature, Burlesque and Parody 29: The American Blend of HumorA Digression 30: Understatement 31: Understatement as a Weapon Irony 32: Sarcasm and the Irony of Fate 7: The Prevailing Topics of Laughter 33: Playthings of the Moment 34: Matrimony and Other Painful Pleasures 35: Satire and Sympathetic Humor 36: Degrees of Biting 37: Slapstick and Aggressive Humor 38: Risqué and Ribald Jokes: Freud's Theory 39: About Nonsense and about Children: Freud's Theory Some More 40: That Comicality Is Mot Release: Freud's Theory Still 41: The Furtive Snicker and the Rabelaisian Laugh 42: Why Truth Is Humorous 8: How to Tell Good Jokes from Bad 43: To Diagram a Joke 44: The Ten Commandments of the Comic Arts Supplementary Some Humorists on Humor Notes
1: Fun and Funny; 2: Babies and Grown-Ups; 3: Why We Laugh Like Human Beings; 1: The Importance of Not Being Earnest; 2: The Gift of Being Tickled; 3: Infant Laughter; 4: Do Babies Feel Derisive?; 5: Adult Laughter; 6: Eddie Cantor on the Auction Block; 4: Varieties of Humorous Experience; 11: Witty Jokes and Ludicrous Perceptions; 12: The Definition of Wit; 13: That Nonsense Must Be Plausible; 14: Funny Things and People; 15: Funny Pictures; 16: Poetic Humor; 17: Comical Figures of Speech; 18: Two Kinds of Comic Action; 19: A Mote on Comic Styles; 20: Poetic and Pictorial Humor with a Point: Cartoons; 21: That Rich Jokes Are Both Witty and Ludicrous; 5: Having Fun With Language; 22: Atrocious Puns; 23: Witty Puns; 24: Poetic Puns; 25: The Fun of Distorted Words; 26: That Bad Grammar Is Good Fun; 6: Laughing at Too-Much and Not-Enough; 27: Exaggeration; 28: Exaggeration as a Weapon: Caricature, Burlesque and Parody; 29: The American Blend of HumorA Digression; 30: Understatement; 31: Understatement as a Weapon; Irony; 32: Sarcasm and the Irony of Fate; 7: The Prevailing Topics of Laughter; 33: Playthings of the Moment; 34: Matrimony and Other Painful Pleasures; 35: Satire and Sympathetic Humor; 36: Degrees of Biting; 37: Slapstick and Aggressive Humor; 38: Risqué and Ribald Jokes: Freud's Theory; 39: About Nonsense and about Children: Freud's Theory Some More; 40: That Comicality Is Mot Release: Freud's Theory Still; 41: The Furtive Snicker and the Rabelaisian Laugh; 42: Why Truth Is Humorous; 8: How to Tell Good Jokes from Bad; 43: To Diagram a Joke; 44: The Ten Commandments of the Comic Arts; Supplementary; Some Humorists on Humor; Notes
1: Fun and Funny 2: Babies and Grown-Ups 3: Why We Laugh Like Human Beings 1: The Importance of Not Being Earnest 2: The Gift of Being Tickled 3: Infant Laughter 4: Do Babies Feel Derisive? 5: Adult Laughter 6: Eddie Cantor on the Auction Block 4: Varieties of Humorous Experience 11: Witty Jokes and Ludicrous Perceptions 12: The Definition of Wit 13: That Nonsense Must Be Plausible 14: Funny Things and People 15: Funny Pictures 16: Poetic Humor 17: Comical Figures of Speech 18: Two Kinds of Comic Action 19: A Mote on Comic Styles 20: Poetic and Pictorial Humor with a Point: Cartoons 21: That Rich Jokes Are Both Witty and Ludicrous 5: Having Fun With Language 22: Atrocious Puns 23: Witty Puns 24: Poetic Puns 25: The Fun of Distorted Words 26: That Bad Grammar Is Good Fun 6: Laughing at Too-Much and Not-Enough 27: Exaggeration 28: Exaggeration as a Weapon: Caricature, Burlesque and Parody 29: The American Blend of HumorA Digression 30: Understatement 31: Understatement as a Weapon Irony 32: Sarcasm and the Irony of Fate 7: The Prevailing Topics of Laughter 33: Playthings of the Moment 34: Matrimony and Other Painful Pleasures 35: Satire and Sympathetic Humor 36: Degrees of Biting 37: Slapstick and Aggressive Humor 38: Risqué and Ribald Jokes: Freud's Theory 39: About Nonsense and about Children: Freud's Theory Some More 40: That Comicality Is Mot Release: Freud's Theory Still 41: The Furtive Snicker and the Rabelaisian Laugh 42: Why Truth Is Humorous 8: How to Tell Good Jokes from Bad 43: To Diagram a Joke 44: The Ten Commandments of the Comic Arts Supplementary Some Humorists on Humor Notes
1: Fun and Funny; 2: Babies and Grown-Ups; 3: Why We Laugh Like Human Beings; 1: The Importance of Not Being Earnest; 2: The Gift of Being Tickled; 3: Infant Laughter; 4: Do Babies Feel Derisive?; 5: Adult Laughter; 6: Eddie Cantor on the Auction Block; 4: Varieties of Humorous Experience; 11: Witty Jokes and Ludicrous Perceptions; 12: The Definition of Wit; 13: That Nonsense Must Be Plausible; 14: Funny Things and People; 15: Funny Pictures; 16: Poetic Humor; 17: Comical Figures of Speech; 18: Two Kinds of Comic Action; 19: A Mote on Comic Styles; 20: Poetic and Pictorial Humor with a Point: Cartoons; 21: That Rich Jokes Are Both Witty and Ludicrous; 5: Having Fun With Language; 22: Atrocious Puns; 23: Witty Puns; 24: Poetic Puns; 25: The Fun of Distorted Words; 26: That Bad Grammar Is Good Fun; 6: Laughing at Too-Much and Not-Enough; 27: Exaggeration; 28: Exaggeration as a Weapon: Caricature, Burlesque and Parody; 29: The American Blend of HumorA Digression; 30: Understatement; 31: Understatement as a Weapon; Irony; 32: Sarcasm and the Irony of Fate; 7: The Prevailing Topics of Laughter; 33: Playthings of the Moment; 34: Matrimony and Other Painful Pleasures; 35: Satire and Sympathetic Humor; 36: Degrees of Biting; 37: Slapstick and Aggressive Humor; 38: Risqué and Ribald Jokes: Freud's Theory; 39: About Nonsense and about Children: Freud's Theory Some More; 40: That Comicality Is Mot Release: Freud's Theory Still; 41: The Furtive Snicker and the Rabelaisian Laugh; 42: Why Truth Is Humorous; 8: How to Tell Good Jokes from Bad; 43: To Diagram a Joke; 44: The Ten Commandments of the Comic Arts; Supplementary; Some Humorists on Humor; Notes
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