A writer of the Lost Generation, Hemingway went to Europe during World War I to master writing. He also served at the front. He used his experiences then, before, and after to craft a highly original approach to the short story, involving thematic issues around marriage, war, friendship, bullfighting, love, nature, and enemies. He also explored themes of alienation, isolation, existential philosophy, meaninglessness, nihilism, and aimlessness. Hemingway's wide perspective invites an intense subjectivity, uniting with readers who become an active part of the interpretation. Zennure Köseman's new book offers a deft exploration of this craft.
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