Ernest Hemingway (eBook, ePUB)
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He was six feet tall, huge-chested, handsome, ebullient, a warrior, a hunter, a fisherman, a drinker.' Ernest Hemingway was 'a man who lived it up to write it down' and his life became the root from which his novels grew. At the age of 18 he was awarded a medal for bravery in the First World War; he honed his craft in 1920s Paris, amongst the 'Lost Generation': F. Scott Fitzgerald, T.S. Eliot and John Dos Passos; his macho image grew with his love of big-game hunting, deep-sea fishing and bull-fighting. And the philosophy of heroism that increasingly pervaded his books and his life was cemente...
He was six feet tall, huge-chested, handsome, ebullient, a warrior, a hunter, a fisherman, a drinker.' Ernest Hemingway was 'a man who lived it up to write it down' and his life became the root from which his novels grew. At the age of 18 he was awarded a medal for bravery in the First World War; he honed his craft in 1920s Paris, amongst the 'Lost Generation': F. Scott Fitzgerald, T.S. Eliot and John Dos Passos; his macho image grew with his love of big-game hunting, deep-sea fishing and bull-fighting. And the philosophy of heroism that increasingly pervaded his books and his life was cemented during the Spanish Civil War, where he survived the bombardment of Madrid and was present at the Republicans' last stand at Ebro. But, by the 1940s, the darkness of his alcoholism (three bottles of Valpolicella for breakfast), violent rages and the bad luck of loving many women began to weigh heavily. Although he was awarded a Bronze Star for bravery under fire whilst covering the Second World War, he also spent much of 1944 and 1945 ensconced at the Dorchester or the Ritz, 'basking and boasting, a boor and a bore'. Hemingway had become the patriarch of American literature but he was plagued by unrelenting demons and an insidious disenchantment with life. In this unflinching portrait, Anthony Burgess explores Hemingway's fatal contradictions: his arrogance and self-doubt, his machismo and vulnerability. He reveals a man who was as much a creation as his books yet who, even at his worst, reminds us that to engage literature one has first to engage life.
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