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  • Format: ePub

In this collection of essays, Mary Cyr explores some of the written and unwritten performance conventions that applied to French and English music of the seventeenth and early-eighteenth centuries. Using composers' own notations, marks added by eighteenth-century performers, historical treatises, and pictorial evidence, she investigates both vocal

Produktbeschreibung
In this collection of essays, Mary Cyr explores some of the written and unwritten performance conventions that applied to French and English music of the seventeenth and early-eighteenth centuries. Using composers' own notations, marks added by eighteenth-century performers, historical treatises, and pictorial evidence, she investigates both vocal

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Autorenporträt
Mary Cyr is Professor of Music, Emerita, at the University of Guelph, Canada.