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Comprehensively analyzing for the first time the phenomenon of ethnic living expositions in Italy between the 19th and 20th centuries, this book deals with the subject from a comparative European perspective and over the long term.
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Comprehensively analyzing for the first time the phenomenon of ethnic living expositions in Italy between the 19th and 20th centuries, this book deals with the subject from a comparative European perspective and over the long term.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 512
- Erscheinungstermin: 22. März 2024
- Englisch
- ISBN-13: 9781003838388
- Artikelnr.: 70094400
- Verlag: Taylor & Francis
- Seitenzahl: 512
- Erscheinungstermin: 22. März 2024
- Englisch
- ISBN-13: 9781003838388
- Artikelnr.: 70094400
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Guido Abbattista is Professor of Modern History at the University of Trieste. He is a specialist in the cultural history of colonialism, imperialism and human diversity 18th-19th century. He published books on James Mill, Edmund Burke, Lord Bolingbroke, Anquetil-Duperron, abbé Raynal, the European view of China in the Enlightenment and living human ethno-exhibitions 18th-20th century.
Contents
Abbreviations
Narratives about humans on exhibition
Acknowledgments
Editorial note
Introduction
1. Words and things
2. Historiography: Human exhibitions
3. Historiography: The colonial experience
4. Distribution
5. A look at the present
6. Ten years later
PART ONE
I. From the beaches of the Red Sea to the banks of the River Po
II. Exhibitions, colonies, otherness
II.1. A long European story resulting from globalisation
II. 2. The century of exhibitions: A world of shows and the spectacle of the world
III. Turin 1884: 'A snippet of African life in the heart of European life'
III.1 Arriving in third class, returning in first class: The Italian adventure of six Africans
III. 2. Under the spotlight
III.3. The other side of the coin: Racism with a human face
III.4. The Assabian 'ruse': Political controversy and imaginative satirical humour.
PART TWO
IV. Palermo 1892 and Milan 1894
IV.1. Palermo 1892
IV.2. Milan 1894
V. Missionary exhibitions and ethno-exhibitions
V.1. La Civiltà Cattolica and the world of exhibitions
V.2. Nineteenth-century precedents and trends (1858-1906)
V.3. Genoa 1892
V.4. Turin 1898 and further developments in the Fascist era
VI. Show villages
VI.1. General aspects
VI.2. Between the Dinkas and the Wild West Show: Milan, Turin, and elsewhere, 1895-1906
VI.3 Turin 1898 and beyond
VII. Exhibitions and science: From villages to the anatomical theatre
VII.1. The 'anatomy of the Negro': Comparatism and racism
VII.2. Anatomical findings and real lives
VII.3. Forms of racism: Spectacular exhibitions, public health, and medical science
VIII. 'Reverse explorations' and 'Geography books in action': Exhibitions and colonial villages in early twentieth-century Italy
VIII.1. Turin 1902
VIII.2. Milan 1906
IX. From the fiftieth anniversary of Italian national unification to the wars (1911-1914)
IX.1. Turin 1911
IX.2. Genoa 1914
X. Conclusion: Towards empire, racial laws, and the war (1920-1940)
Illustrations
Bibliography
Abbreviations
Narratives about humans on exhibition
Acknowledgments
Editorial note
Introduction
1. Words and things
2. Historiography: Human exhibitions
3. Historiography: The colonial experience
4. Distribution
5. A look at the present
6. Ten years later
PART ONE
I. From the beaches of the Red Sea to the banks of the River Po
II. Exhibitions, colonies, otherness
II.1. A long European story resulting from globalisation
II. 2. The century of exhibitions: A world of shows and the spectacle of the world
III. Turin 1884: 'A snippet of African life in the heart of European life'
III.1 Arriving in third class, returning in first class: The Italian adventure of six Africans
III. 2. Under the spotlight
III.3. The other side of the coin: Racism with a human face
III.4. The Assabian 'ruse': Political controversy and imaginative satirical humour.
PART TWO
IV. Palermo 1892 and Milan 1894
IV.1. Palermo 1892
IV.2. Milan 1894
V. Missionary exhibitions and ethno-exhibitions
V.1. La Civiltà Cattolica and the world of exhibitions
V.2. Nineteenth-century precedents and trends (1858-1906)
V.3. Genoa 1892
V.4. Turin 1898 and further developments in the Fascist era
VI. Show villages
VI.1. General aspects
VI.2. Between the Dinkas and the Wild West Show: Milan, Turin, and elsewhere, 1895-1906
VI.3 Turin 1898 and beyond
VII. Exhibitions and science: From villages to the anatomical theatre
VII.1. The 'anatomy of the Negro': Comparatism and racism
VII.2. Anatomical findings and real lives
VII.3. Forms of racism: Spectacular exhibitions, public health, and medical science
VIII. 'Reverse explorations' and 'Geography books in action': Exhibitions and colonial villages in early twentieth-century Italy
VIII.1. Turin 1902
VIII.2. Milan 1906
IX. From the fiftieth anniversary of Italian national unification to the wars (1911-1914)
IX.1. Turin 1911
IX.2. Genoa 1914
X. Conclusion: Towards empire, racial laws, and the war (1920-1940)
Illustrations
Bibliography
Contents
Abbreviations
Narratives about humans on exhibition
Acknowledgments
Editorial note
Introduction
1. Words and things
2. Historiography: Human exhibitions
3. Historiography: The colonial experience
4. Distribution
5. A look at the present
6. Ten years later
PART ONE
I. From the beaches of the Red Sea to the banks of the River Po
II. Exhibitions, colonies, otherness
II.1. A long European story resulting from globalisation
II. 2. The century of exhibitions: A world of shows and the spectacle of the world
III. Turin 1884: 'A snippet of African life in the heart of European life'
III.1 Arriving in third class, returning in first class: The Italian adventure of six Africans
III. 2. Under the spotlight
III.3. The other side of the coin: Racism with a human face
III.4. The Assabian 'ruse': Political controversy and imaginative satirical humour.
PART TWO
IV. Palermo 1892 and Milan 1894
IV.1. Palermo 1892
IV.2. Milan 1894
V. Missionary exhibitions and ethno-exhibitions
V.1. La Civiltà Cattolica and the world of exhibitions
V.2. Nineteenth-century precedents and trends (1858-1906)
V.3. Genoa 1892
V.4. Turin 1898 and further developments in the Fascist era
VI. Show villages
VI.1. General aspects
VI.2. Between the Dinkas and the Wild West Show: Milan, Turin, and elsewhere, 1895-1906
VI.3 Turin 1898 and beyond
VII. Exhibitions and science: From villages to the anatomical theatre
VII.1. The 'anatomy of the Negro': Comparatism and racism
VII.2. Anatomical findings and real lives
VII.3. Forms of racism: Spectacular exhibitions, public health, and medical science
VIII. 'Reverse explorations' and 'Geography books in action': Exhibitions and colonial villages in early twentieth-century Italy
VIII.1. Turin 1902
VIII.2. Milan 1906
IX. From the fiftieth anniversary of Italian national unification to the wars (1911-1914)
IX.1. Turin 1911
IX.2. Genoa 1914
X. Conclusion: Towards empire, racial laws, and the war (1920-1940)
Illustrations
Bibliography
Abbreviations
Narratives about humans on exhibition
Acknowledgments
Editorial note
Introduction
1. Words and things
2. Historiography: Human exhibitions
3. Historiography: The colonial experience
4. Distribution
5. A look at the present
6. Ten years later
PART ONE
I. From the beaches of the Red Sea to the banks of the River Po
II. Exhibitions, colonies, otherness
II.1. A long European story resulting from globalisation
II. 2. The century of exhibitions: A world of shows and the spectacle of the world
III. Turin 1884: 'A snippet of African life in the heart of European life'
III.1 Arriving in third class, returning in first class: The Italian adventure of six Africans
III. 2. Under the spotlight
III.3. The other side of the coin: Racism with a human face
III.4. The Assabian 'ruse': Political controversy and imaginative satirical humour.
PART TWO
IV. Palermo 1892 and Milan 1894
IV.1. Palermo 1892
IV.2. Milan 1894
V. Missionary exhibitions and ethno-exhibitions
V.1. La Civiltà Cattolica and the world of exhibitions
V.2. Nineteenth-century precedents and trends (1858-1906)
V.3. Genoa 1892
V.4. Turin 1898 and further developments in the Fascist era
VI. Show villages
VI.1. General aspects
VI.2. Between the Dinkas and the Wild West Show: Milan, Turin, and elsewhere, 1895-1906
VI.3 Turin 1898 and beyond
VII. Exhibitions and science: From villages to the anatomical theatre
VII.1. The 'anatomy of the Negro': Comparatism and racism
VII.2. Anatomical findings and real lives
VII.3. Forms of racism: Spectacular exhibitions, public health, and medical science
VIII. 'Reverse explorations' and 'Geography books in action': Exhibitions and colonial villages in early twentieth-century Italy
VIII.1. Turin 1902
VIII.2. Milan 1906
IX. From the fiftieth anniversary of Italian national unification to the wars (1911-1914)
IX.1. Turin 1911
IX.2. Genoa 1914
X. Conclusion: Towards empire, racial laws, and the war (1920-1940)
Illustrations
Bibliography