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  • Format: ePub

This edition includes the following editor's introduction: G. K. Chesterton, the man beyond the writer The early twentieth-century was a time when many works, including popular essays, were written on eugenics and eugenic theory , usually to promote the ideas. However, significant anti-eugenic essays also circulated, the most famous of which is “Eugenics and Other Evils” ( AKA Eugenics and Other Evils: an argument against scientifically organized state ), written by English author and philosopher G. K. Chesterton and originally published in 1922, just a few years after the close of the 'Great…mehr

Produktbeschreibung
  • This edition includes the following editor's introduction: G. K. Chesterton, the man beyond the writer

The early twentieth-century was a time when many works, including popular essays, were written on eugenics and eugenic theory, usually to promote the ideas. However, significant anti-eugenic essays also circulated, the most famous of which is “Eugenics and Other Evils” ( AKA Eugenics and Other Evils: an argument against scientifically organized state), written by English author and philosopher G. K. Chesterton and originally published in 1922, just a few years after the close of the 'Great War.'
In “Eugenics and Other Evils,” Chesterton argues that eugenic laws are a means of suppressing the poor, and predicts the abuse of eugenics. The book was influential enough that the British Parliament began to question eugenic legislation, and indeed eugenic legislation as existed in the United States was never passed in Great Britain.

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Autorenporträt
G. K. Chesterton (1874-1936) was a prolific English writer, philosopher, lay theologian, and literary and art critic. He is best known in mystery circles as the creator of the fictional priest-detective Father Brown and for the metaphysical thriller The Man Who Was Thursday. Often referred to as "the prince of paradox," Chesterton frequently made his points by turning familiar sayings and proverbs inside out.Chesterton attended the Slade School of Art, a department of University College London, where he took classes in illustration and literature, though he did not complete a degree in either subject. In 1895, at the age of twenty-one, he began working for the London publisher George Redway. A year later he moved to another publisher, T. Fisher Unwin, where he undertook his first work in journalism, illustration, and literary criticism.In addition to writing fifty-three Father Brown stories, Chesterton authored articles and books of social criticism, philosophy, theology, economics, literary criticism, biography, and poetry.