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  • Format: ePub

'Powered by a satisfactorily pacy plot and oiled by Quinn's effortless prose, this is a book that slips down as easily as a gin-and-it' Guardian
Summer, 1967. As London shimmers in a heat haze and swoons to the sound of Sergeant Pepper , a mystery film - Eureka - is being shot by German wunderkind Reiner Werther Kloss.
The screenwriter, Nat Fane, would do anything for a hit but can't see straight for all the acid he's dropping. Fledgling actress Billie Cantrip is hoping for her big break but can't find a way out of her troubled relationship with an older man. And journalist Freya Wyley
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Produktbeschreibung
'Powered by a satisfactorily pacy plot and oiled by Quinn's effortless prose, this is a book that slips down as easily as a gin-and-it' Guardian

Summer, 1967. As London shimmers in a heat haze and swoons to the sound of Sergeant Pepper, a mystery film - Eureka - is being shot by German wunderkind Reiner Werther Kloss.

The screenwriter, Nat Fane, would do anything for a hit but can't see straight for all the acid he's dropping. Fledgling actress Billie Cantrip is hoping for her big break but can't find a way out of her troubled relationship with an older man. And journalist Freya Wyley wants to know why so much of what Kloss touches turns to ash in his wake.


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Autorenporträt
Anthony Quinn was born in Liverpool in 1964. From 1998 to 2013 he was the film critic for the Independent. He is the author of six novels: The Rescue Man, which won the 2009 Authors' Club Best First Novel Award; Half of the Human Race; The Streets, which was shortlisted for the 2013 Walter Scott Prize; Curtain Call, which was chosen for Waterstones and Mail on Sunday Book Clubs; Freya, a Radio 2 Book Club choice, and Eureka.
Rezensionen
In the various layers of a slick, enjoyable plot, the glossy surface finish never distracting from the messiness beneath, art reflects life and also reflects itself... There is wit and entertainment aplenty... What brings it all delightfully together is Quinn's flawless, easy-going prose. He never once puts a foot wrong... Clever, certainly, but in just the right measure. Peter Stanford Observer