Rachel Cowgill, Julian Rushton

Europe, Empire, and Spectacle in Nineteenth-Century British Music (eBook, PDF)

• Format: PDF

Produktbeschreibung

This volume illuminates musical connections between Britain and the continent of Europe, and Britain and its Empire. The seldom-recognized vitality of musical theatre and other kinds of spectacle in Britain itself, and also the flourishing concert life of the period, indicates a means of defining tradition and identity within nineteenth-century British musical culture. The objective of the volume has been to add significantly to the growing literature on these topics. It benefits not only from new archival research, but also from fresh musicological approaches and interdisciplinary methods that recognize the integral role of music within a wider culture, including religious, political and social life. The essays are by scholars from the USA, Britain, and Europe, covering a wide range of experience. Topics range from the reception of Bach, Mozart, and Liszt in England, a musical response to Shakespeare, Italian opera in Dublin, exoticism, gender, black musical identities, British musicians in Canada, and uses of music in various theatrical genres and state ceremony, and in articulating the politics of the Union and Empire.

---

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 320
• Erscheinungstermin: 5. Juli 2017
• Englisch
• ISBN-13: 9781351567640
• Artikelnr.: 48801685

Autorenporträt

Rachel Cowgill is Senior Lecturer and Julian Rushton is Emeritus Professor, both at the University of Leeds, UK.

Inhaltsangabe

Contents: Introduction
the editors. Part I Europe: Continental Connections: 'Hence
base intruder
hence': rejection and assimilation in the early English reception of Mozart's Requiem
Rachel Cowgill; William Sterndale Bennett and the Bach revival in 19th-century England
Isabel Parrott; 'Le roi est mort
vive le roi': languages and leadership in Niecks's Liszt obituary
Anne Widén; Promotion through performance: Liszt's symphonic poems in the London concerts of Walter Bache
Michael Allis; Henry Hugo Pierson and Shakespearean tragedy
Julian Rushton; 'The Italians are coming': opera in mid-Victorian Dublin
Paul Rodmell. Part II Empire: Britain
Ireland
and Beyond: Sir Frederick Bridge and the musical furtherance of the 1902 imperial project
David Wright; Attwood's St David's Day: music
Wales
and war in 1800
Meirion Hughes; Hamish MacCunn: a Scottish national composer?
Jennifer Oates; For the sake of the union: the nation in Stanford's fourth Irish Rhapsody
Christopher Scheer; 'From ocean to ocean ...': how Harriss and Mackenzie toured British music across Canada in 1903
Duncan Barker; From 'incomprehensibility' to 'meaning': transcription and representation of non-western music in 19th-century British musicology and ethnomusicology
Bennett Zon. Part III Spectacle: Theatre
Opera
and Internationalism: 'Behind thy veil close-drawn': Elgar
The Crown of India
and the feminine 'other'
Corissa Gould; Empire and 'Orient' in opera libretti set by Sir Henry Bishop and Edward Solomon
Claire Walsh; Acting with music: Henry Irving's use of the musical score in his production of The Bells
Stephen Cockett; Handel's Acis and Galatea: a Victorian view
Roberta Marvin; Blackface minstrels
black minstrels
and their reception in England
Derek B. Scott. Index.