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We are witnessing a dynamic reshaping of the European 'mediascape'. This has been underway for more than a decade since the fall of the Berlin wall in 1989, the growing impact of globalisation, and the birth of new technologies and new media, or the convergence between old and new media. A new and more intense 'mediatisation' of society and everyday life is emerging. This is happening alongside the rapid reconstruction of the cultural and economic landscape of Europe itself. In this transformation the communicative and ideological dimensions, the digitalisation of technology, and changes in…mehr

Produktbeschreibung
We are witnessing a dynamic reshaping of the European 'mediascape'. This has been underway for more than a decade since the fall of the Berlin wall in 1989, the growing impact of globalisation, and the birth of new technologies and new media, or the convergence between old and new media. A new and more intense 'mediatisation' of society and everyday life is emerging. This is happening alongside the rapid reconstruction of the cultural and economic landscape of Europe itself. In this transformation the communicative and ideological dimensions, the digitalisation of technology, and changes in culture - 'the imaginary', the discursive universe of politics and communication, are all crucial areas for research. The cultural industries, (film, television, books, magazines, entertainment and music), but also the world of news, actuality, 'infotainment' and the internet, are key areas for the study of what we may begin to understand as a changing European culture in all its complexity and with all its differences and conflicts. The media and the cultural industries are among the fastest growing sectors in the global economy.


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Autorenporträt
Ib Bondebjerg is professor of film and media studies, Department of Media, Cognition and Communication, University of Copenhagen, and was the founder and director of the Centre for Modern European Studies (2008-20011). From 2000 to 2009 he was the editor of Northern Lights: Film and Media Studies Yearbook and he is part of the advisory board of Studies in Documentary Film and Journal of Scandinavian Cinema. His main research area is European film and media culture and documentary genres. He was co-director of the ESF Research project Changing Media - Changing Europe (2000-2005) and is co-director of the HERA project, Mediating Cultural Encounters Through European Screens (MeCETES, 2013-216). His most recent publications are Media, Democracy and European Culture (2008, co-editor and contributor), Narratives of Reality: The History of the Danish Television Documentary (2008, in Danish), Images of Reality: The Modern Danish Film Documentary (2012, in Danish), Engaging with Reality: Documentary and Globalization (2014) and Danish Directors 3: Dialogues on the New Danish Documentary Cinema (co-editor, 2014).