Michael Mann's films receive a detailed analysis as existential dramas, including Heat, Collateral , The Last of the Mohicans and Public Enemies. The book demonstrates that Mann's films perform critical engagement with existentialism, illustrating the problems and opportunities of living according to this philosophy.
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'Vincent Gaine's book is an object lesson in using philosophy to study cinema, persuasively arguing through close reading that the apparently disparate output of director Michael Mann is really a coherent body of film held together by existentialist themes.' - Jerry Goodenough, University of East Anglia, UK
'Gaine builds a sturdy academic thesis and occasional nuggets-on the doubling and mirroring in Heat and Manhunter for example- confirm his keen cinephile's eye...' - Jamie Russell, Total Film
'Gaine builds a sturdy academic thesis and occasional nuggets-on the doubling and mirroring in Heat and Manhunter for example- confirm his keen cinephile's eye...' - Jamie Russell, Total Film