Expanding Nationalisms at World's Fairs (eBook, PDF)
Identity, Diversity, and Exchange, 1851-1915
Redaktion: Raizman, David; Robey, Ethan
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Expanding Nationalisms at World's Fairs (eBook, PDF)
Identity, Diversity, and Exchange, 1851-1915
Redaktion: Raizman, David; Robey, Ethan
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This book introduces the subject of international exhibitions to art and design historians and a wider audience as a resource for understanding the broad and varied political meanings of design during a period of rapid industrialization, developing nationalism, imperialism, expanding trade, and the emergence of a consumer society.
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This book introduces the subject of international exhibitions to art and design historians and a wider audience as a resource for understanding the broad and varied political meanings of design during a period of rapid industrialization, developing nationalism, imperialism, expanding trade, and the emergence of a consumer society.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 260
- Erscheinungstermin: 23. Oktober 2017
- Englisch
- ISBN-13: 9781351657495
- Artikelnr.: 50000250
- Verlag: Taylor & Francis
- Seitenzahl: 260
- Erscheinungstermin: 23. Oktober 2017
- Englisch
- ISBN-13: 9781351657495
- Artikelnr.: 50000250
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
David Raizman is Distinguished University Professor of Art and Art History in the Westphal College of Media Arts & Design at Drexel University in Philadelphia. Ethan Robey is Assistant Professor of the History of Decorative Arts and Design at Parsons School of Design, and Associate Director of the MA Program in the History of Design and Curatorial Study run by Parsons and Cooper Hewitt, Smithsonian Design Museum.
List of Illustrations
List of Contributors
Introduction Communities Real and Imagined: World's Fairs and Political
Meanings
David Raizman and Ethan Robey
1. East Meets West: Re-Presenting the Islamic World at the
Nineteenth-Century World's Fairs
Debra Hanson
2. From London to Paris (via Cairo): The World Expositions and the Making
of a Modern Architect, 1862-1867
Christian A. Hedrick
3. The Belgian Reception of Italy at the 1885 Antwerp World Exhibition:
Converging Artistic, Economic, and Political Strategies on Display
Daniela N. Prina
4. A Danish Spectacle: Balancing National Interests at the 1888 Nordic
Exhibition of Industry, Agriculture and Art in Copenhagen
Jørn Guldberg
5. A Neoclassical Translation: The Hôôden at the 1893 World's Columbian
Exposition
Hannah L. Sigur
6. Paris, 1900: The Musée Centennal du Mobilier et de la Décoration and the
Formulation of a Nineteenth-Century National Design Identity
Anca I. Lasc
7. "Our Country Has Never Been as Popular as It Is Now!": Finland at the
1900 Exposition Universelle
Bart Pushaw
8. "A Revelation of Grace and Pride": Cultural Memory and International
Aspiration in Early Twentieth-Century Hungarian Design
Rebecca Houze
9. When the Local is the Global: Case Studies in Early Twentieth-Century
Chinese Exposition Projects
Susan R. Fernsebner
10. The 1910 Centenary Exhibition in Argentina, Chile, and Uruguay:
Manufacturing Fine Art and Cultural Diplomacy in South America
M. Elizabeth Boone
Bibliography
Index
List of Contributors
Introduction Communities Real and Imagined: World's Fairs and Political
Meanings
David Raizman and Ethan Robey
1. East Meets West: Re-Presenting the Islamic World at the
Nineteenth-Century World's Fairs
Debra Hanson
2. From London to Paris (via Cairo): The World Expositions and the Making
of a Modern Architect, 1862-1867
Christian A. Hedrick
3. The Belgian Reception of Italy at the 1885 Antwerp World Exhibition:
Converging Artistic, Economic, and Political Strategies on Display
Daniela N. Prina
4. A Danish Spectacle: Balancing National Interests at the 1888 Nordic
Exhibition of Industry, Agriculture and Art in Copenhagen
Jørn Guldberg
5. A Neoclassical Translation: The Hôôden at the 1893 World's Columbian
Exposition
Hannah L. Sigur
6. Paris, 1900: The Musée Centennal du Mobilier et de la Décoration and the
Formulation of a Nineteenth-Century National Design Identity
Anca I. Lasc
7. "Our Country Has Never Been as Popular as It Is Now!": Finland at the
1900 Exposition Universelle
Bart Pushaw
8. "A Revelation of Grace and Pride": Cultural Memory and International
Aspiration in Early Twentieth-Century Hungarian Design
Rebecca Houze
9. When the Local is the Global: Case Studies in Early Twentieth-Century
Chinese Exposition Projects
Susan R. Fernsebner
10. The 1910 Centenary Exhibition in Argentina, Chile, and Uruguay:
Manufacturing Fine Art and Cultural Diplomacy in South America
M. Elizabeth Boone
Bibliography
Index
List of Illustrations
List of Contributors
Introduction Communities Real and Imagined: World's Fairs and Political
Meanings
David Raizman and Ethan Robey
1. East Meets West: Re-Presenting the Islamic World at the
Nineteenth-Century World's Fairs
Debra Hanson
2. From London to Paris (via Cairo): The World Expositions and the Making
of a Modern Architect, 1862-1867
Christian A. Hedrick
3. The Belgian Reception of Italy at the 1885 Antwerp World Exhibition:
Converging Artistic, Economic, and Political Strategies on Display
Daniela N. Prina
4. A Danish Spectacle: Balancing National Interests at the 1888 Nordic
Exhibition of Industry, Agriculture and Art in Copenhagen
Jørn Guldberg
5. A Neoclassical Translation: The Hôôden at the 1893 World's Columbian
Exposition
Hannah L. Sigur
6. Paris, 1900: The Musée Centennal du Mobilier et de la Décoration and the
Formulation of a Nineteenth-Century National Design Identity
Anca I. Lasc
7. "Our Country Has Never Been as Popular as It Is Now!": Finland at the
1900 Exposition Universelle
Bart Pushaw
8. "A Revelation of Grace and Pride": Cultural Memory and International
Aspiration in Early Twentieth-Century Hungarian Design
Rebecca Houze
9. When the Local is the Global: Case Studies in Early Twentieth-Century
Chinese Exposition Projects
Susan R. Fernsebner
10. The 1910 Centenary Exhibition in Argentina, Chile, and Uruguay:
Manufacturing Fine Art and Cultural Diplomacy in South America
M. Elizabeth Boone
Bibliography
Index
List of Contributors
Introduction Communities Real and Imagined: World's Fairs and Political
Meanings
David Raizman and Ethan Robey
1. East Meets West: Re-Presenting the Islamic World at the
Nineteenth-Century World's Fairs
Debra Hanson
2. From London to Paris (via Cairo): The World Expositions and the Making
of a Modern Architect, 1862-1867
Christian A. Hedrick
3. The Belgian Reception of Italy at the 1885 Antwerp World Exhibition:
Converging Artistic, Economic, and Political Strategies on Display
Daniela N. Prina
4. A Danish Spectacle: Balancing National Interests at the 1888 Nordic
Exhibition of Industry, Agriculture and Art in Copenhagen
Jørn Guldberg
5. A Neoclassical Translation: The Hôôden at the 1893 World's Columbian
Exposition
Hannah L. Sigur
6. Paris, 1900: The Musée Centennal du Mobilier et de la Décoration and the
Formulation of a Nineteenth-Century National Design Identity
Anca I. Lasc
7. "Our Country Has Never Been as Popular as It Is Now!": Finland at the
1900 Exposition Universelle
Bart Pushaw
8. "A Revelation of Grace and Pride": Cultural Memory and International
Aspiration in Early Twentieth-Century Hungarian Design
Rebecca Houze
9. When the Local is the Global: Case Studies in Early Twentieth-Century
Chinese Exposition Projects
Susan R. Fernsebner
10. The 1910 Centenary Exhibition in Argentina, Chile, and Uruguay:
Manufacturing Fine Art and Cultural Diplomacy in South America
M. Elizabeth Boone
Bibliography
Index