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  • Format: ePub

This pioneering introduction to Stanislavsky's methods and modes of actor training considers: Recreating 'truthful' behaviour in the artificial environment; Awareness and observation; Psychophysical work (mind, breath and body); Given circumstances; Visualization and imagination; Group and partner work; Scene work: selecting and analysing from a text; Preparing for a performance.

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Produktbeschreibung
This pioneering introduction to Stanislavsky's methods and modes of actor training considers: Recreating 'truthful' behaviour in the artificial environment; Awareness and observation; Psychophysical work (mind, breath and body); Given circumstances; Visualization and imagination; Group and partner work; Scene work: selecting and analysing from a text; Preparing for a performance.


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Autorenporträt
Stephanie Daventry French has directed over 40 productions using Stanislavsky's Active Analysis. She teaches the Stanislavsky System integrated with many other techniques as head of the Acting for Theatre, Television and Film track at East Stroudsburg University.

Philip G. Bennett has been an actor, teacher and director of the Stanislavsky System since 1969 - Artistic Director of the San Francisco Theatre Academy 1976-1984, the Bennett TheatreLab & Conservatory 1984-present, and Assistant Artistic Director to Russian emegré teacher, Sonia Moore, American Stanislavski Theatre, 1969 - 1975.