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Film, like all forms of art, fulfils a number of aesthetic functions for local, regional and international audiences. As distribution and technological advances make Asian films more readily available across the globe, this ground-breaking book explores the moral dimensions of sexual imagery in contemporary, general-release Asian cinema. It examines debates that arise over aesthetic styles and the cultural and traditional influences that determine the content and impact of these films.

Produktbeschreibung
Film, like all forms of art, fulfils a number of aesthetic functions for local, regional and international audiences. As distribution and technological advances make Asian films more readily available across the globe, this ground-breaking book explores the moral dimensions of sexual imagery in contemporary, general-release Asian cinema. It examines debates that arise over aesthetic styles and the cultural and traditional influences that determine the content and impact of these films.

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Dr. Peter C. Pugsley is Senior Lecturer in the Department of Media at the University of Adelaide in South Australia. He teaches in the subjects Asian Screen Media, Advanced Media Theory, Broadcast TV & Radio, and Japanese Media Cultures (taught in Kyoto, Japan). Peter was formerly based in the Media and Communications Program at the University of Melbourne, Australia, and also taught in the MA (Communications) at RMIT University. In October 2011 he was a Visiting Research fellow at Sophia University, Tokyo. In 2013 he published the sole-authored monograph Tradition, Culture and Aesthetics in Contemporary Asian Cinema (Ashgate). His published work has appeared in refereed journals including Asian Studies Review, International Communication Gazette, Asian Journal of Communication, Continuum: Journal of Media & Cultural Studies and Westminster Papers on Communication and Culture. Recent book chapters include 'Hong Kong Film as Crossover Cinema: Maintaining the HK Aesthetic', in Crossover Cinema: Cross-Cultural Film from Production to Reception, (2013) edited by Sukhmani Khorana, Routledge, and 'Asia: The Nationalist Geopolitics of India's Hindi Cinema', in The Routledge Companion to Film and Politics (2014), edited by Yannis Tzioumakis and Claire Molloy, Routledge, London.