The contributors demonstrate the validity of analysing the text of a play, as opposed to focusing on performance. Divided into four broad, yet interconnecting groups, the chapters:
* open up some of the basic mechanisms of conversation and show how they are used in dramatic dialogue
* look at how discourse analysis and pragmatic theories can be used to help us understand characterization in dialogue
* consider some of the cognitive patterns underlying dramatic discourse
* focus on the notion of speech as action.
there is also a chapter on how to analyse an extract from a play and write up an assignment.
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