When they emerge, they discover they have not only gone back in time, but the two women helping them are none other than Jane and Cassandra Austen. Trouble compounds when Mark is mistaken for a clergyman (due to his festival costume) and drafted to fill an empty post in the parish, while Emma is mistaken for an American heiress. Worse still, Emma compulsively quotes lines from Austen's novels to Jane Austen herself, novels which haven't been written yet, resulting in a highly annoyed universe which floods the river they need to use as a portal to return home. Mark finds himself in a love triangle between the parish warden's daughter and the missing clergyman, eventually starting to fade right out of history as they inadvertently change the past. Emma must invoke the prowess of her namesake, Emma Woodhouse, and rematch the warden's daughter to the newly arrived clergyman while avoiding a number of romantic entanglements herself, all of which results in romantic hijinks of Austenian quality that also put her at risk of losing Mark's affection, and even Mark himself. This novel combines drama and comedy to develop rich themes of romance and historicism, and is ultimately about identify, safety vs. risk, and the responsibility we all must take for the choices we make.
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