Fashioning Identities in Renaissance Art (eBook, ePUB)
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Fashioning Identities in Renaissance Art (eBook, ePUB)
Redaktion: Rogers, Mary
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This title was first published in 2000: Fashioning Identities analyses some of the different ways in which identities were fashioned in and with art during the Renaissance, taken as meaning the period c.1300-1600.
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This title was first published in 2000: Fashioning Identities analyses some of the different ways in which identities were fashioned in and with art during the Renaissance, taken as meaning the period c.1300-1600.
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Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 256
- Erscheinungstermin: 4. Juni 2019
- Englisch
- ISBN-13: 9781351777698
- Artikelnr.: 56941005
- Verlag: Taylor & Francis
- Seitenzahl: 256
- Erscheinungstermin: 4. Juni 2019
- Englisch
- ISBN-13: 9781351777698
- Artikelnr.: 56941005
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Mary Rogers, University of Bristol, UK and co-editor with Frances Ames-Lewis of Concepts of Beauty in Renaissance Art. Introduction by Joanna Woods-Marsden, University of California, Los Angeles
1. Introduction: Collective identity/individual identity, Joanna
Woods-Marsden. 2. A Knight in the Arena: Enrico Scrovegni and his 'true
image', Laura Jacobus. 3. Reconstructing Benozzo Gozzoli's Artistic
Identity, Francis Ames-Lewis. 4. Patronage and Identity in Renaissance
Florence: The case of S. Maria a Lecceto, Jill Burke. 5. Art and Life in
Renaissance Italy: A blurring of identities, Rupert Shepherd. 6. A Preface
to Signatures (with some cases in Venice), Creighton Gilbert. 7. Fashioning
Identities for the Renaissance Courtesan, Mary Rogers. 8. Beauty and
Identity in Parmigianino's Portraits, Mary Vaccaro. 9. Problems of Identity
in an Age of Change: The Viewer of Art in Renaissance England, Tatiana C.
String. 10. Moretto and the Congregation of S. Giorgio in Alga 1540-1550:
Fashioning a visual identity of a religious Congregation, Gabriele Neher.
11. 'Ut vita scultura': Cellini's Perseus and the self-fashioning of
artistic identity, Victoria C. Gardner Coates. 12. Artists into Heroes: The
commemoration of artists in the art of Giorgio Vasari, Joan Stack. 13.
'Cittadin nostro Fiorentino': Michelangelo and Fiorentinismo in
mid-sixteenth-century Florence, Frances E. Thomas. 14. The Identity of the
Prince: Cosimo de' Medici, Giorgio Vasari and the Ragionamenti, Paola
Tinagli. 15. 'Frail fresh, as in a glass': The portrait as an immortal
presence in early modern England and Wales, Tarnya Cooper.
Woods-Marsden. 2. A Knight in the Arena: Enrico Scrovegni and his 'true
image', Laura Jacobus. 3. Reconstructing Benozzo Gozzoli's Artistic
Identity, Francis Ames-Lewis. 4. Patronage and Identity in Renaissance
Florence: The case of S. Maria a Lecceto, Jill Burke. 5. Art and Life in
Renaissance Italy: A blurring of identities, Rupert Shepherd. 6. A Preface
to Signatures (with some cases in Venice), Creighton Gilbert. 7. Fashioning
Identities for the Renaissance Courtesan, Mary Rogers. 8. Beauty and
Identity in Parmigianino's Portraits, Mary Vaccaro. 9. Problems of Identity
in an Age of Change: The Viewer of Art in Renaissance England, Tatiana C.
String. 10. Moretto and the Congregation of S. Giorgio in Alga 1540-1550:
Fashioning a visual identity of a religious Congregation, Gabriele Neher.
11. 'Ut vita scultura': Cellini's Perseus and the self-fashioning of
artistic identity, Victoria C. Gardner Coates. 12. Artists into Heroes: The
commemoration of artists in the art of Giorgio Vasari, Joan Stack. 13.
'Cittadin nostro Fiorentino': Michelangelo and Fiorentinismo in
mid-sixteenth-century Florence, Frances E. Thomas. 14. The Identity of the
Prince: Cosimo de' Medici, Giorgio Vasari and the Ragionamenti, Paola
Tinagli. 15. 'Frail fresh, as in a glass': The portrait as an immortal
presence in early modern England and Wales, Tarnya Cooper.
1. Introduction: Collective identity/individual identity, Joanna
Woods-Marsden. 2. A Knight in the Arena: Enrico Scrovegni and his 'true
image', Laura Jacobus. 3. Reconstructing Benozzo Gozzoli's Artistic
Identity, Francis Ames-Lewis. 4. Patronage and Identity in Renaissance
Florence: The case of S. Maria a Lecceto, Jill Burke. 5. Art and Life in
Renaissance Italy: A blurring of identities, Rupert Shepherd. 6. A Preface
to Signatures (with some cases in Venice), Creighton Gilbert. 7. Fashioning
Identities for the Renaissance Courtesan, Mary Rogers. 8. Beauty and
Identity in Parmigianino's Portraits, Mary Vaccaro. 9. Problems of Identity
in an Age of Change: The Viewer of Art in Renaissance England, Tatiana C.
String. 10. Moretto and the Congregation of S. Giorgio in Alga 1540-1550:
Fashioning a visual identity of a religious Congregation, Gabriele Neher.
11. 'Ut vita scultura': Cellini's Perseus and the self-fashioning of
artistic identity, Victoria C. Gardner Coates. 12. Artists into Heroes: The
commemoration of artists in the art of Giorgio Vasari, Joan Stack. 13.
'Cittadin nostro Fiorentino': Michelangelo and Fiorentinismo in
mid-sixteenth-century Florence, Frances E. Thomas. 14. The Identity of the
Prince: Cosimo de' Medici, Giorgio Vasari and the Ragionamenti, Paola
Tinagli. 15. 'Frail fresh, as in a glass': The portrait as an immortal
presence in early modern England and Wales, Tarnya Cooper.
Woods-Marsden. 2. A Knight in the Arena: Enrico Scrovegni and his 'true
image', Laura Jacobus. 3. Reconstructing Benozzo Gozzoli's Artistic
Identity, Francis Ames-Lewis. 4. Patronage and Identity in Renaissance
Florence: The case of S. Maria a Lecceto, Jill Burke. 5. Art and Life in
Renaissance Italy: A blurring of identities, Rupert Shepherd. 6. A Preface
to Signatures (with some cases in Venice), Creighton Gilbert. 7. Fashioning
Identities for the Renaissance Courtesan, Mary Rogers. 8. Beauty and
Identity in Parmigianino's Portraits, Mary Vaccaro. 9. Problems of Identity
in an Age of Change: The Viewer of Art in Renaissance England, Tatiana C.
String. 10. Moretto and the Congregation of S. Giorgio in Alga 1540-1550:
Fashioning a visual identity of a religious Congregation, Gabriele Neher.
11. 'Ut vita scultura': Cellini's Perseus and the self-fashioning of
artistic identity, Victoria C. Gardner Coates. 12. Artists into Heroes: The
commemoration of artists in the art of Giorgio Vasari, Joan Stack. 13.
'Cittadin nostro Fiorentino': Michelangelo and Fiorentinismo in
mid-sixteenth-century Florence, Frances E. Thomas. 14. The Identity of the
Prince: Cosimo de' Medici, Giorgio Vasari and the Ragionamenti, Paola
Tinagli. 15. 'Frail fresh, as in a glass': The portrait as an immortal
presence in early modern England and Wales, Tarnya Cooper.