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"Desired and deified in earlier epochs for their curvaceous and voluptuous figures, statuesque female performers have become, over the course of the twentieth century, reviled and vilified, reduced to stock characters, and a panoply of gross stereotypes. Interrogating the rise of fat prejudice, Mobley reads the bodies of 'broad broads' as embodied cultural texts within and against a backdrop of material abundance and capitalist excess, American self-determination, and Puritan morality. This book is essential reading for anyone who wants to understand the cultural, political, and aesthetic dimensions of corpulence." - Sara Warner, Associate Professor, Theatre, Cornell University, USA
"[Mobley's] analyses are sharp and insightful and her use of canonical cultural and fat studies theorists . . . is capable and convincing. More than that, the book is interesting and fun. Mobley argues the importance of textual analyses of popular cultural texts . . . This book amply contributes to feminist cultural and fat studies conversations about the implications and effects of mediated representations of fat, feminine bodies and performances." - Fat Studies