Drawing upon extensive archival research, interview material and musical analysis, Laura Hamer presents an innovative study of women working as professional musicians in France between the two World Wars. Hamer positions the activities, achievements and reception of women composers, conductors and performers against a contemporary socio-political climate that was hostile to female professionalism. The musical styles and techniques of Marguerite Canal, Jeanne Leleu, Germaine Tailleferre, Yvonne Desportes, Elsa Barraine and Claude Arrieu are discussed with reference to significant works dating from the interwar period.
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