Feminism and Film Theory (eBook, ePUB)
Redaktion: Penley, Constance
37,95 €
37,95 €
inkl. MwSt.
Sofort per Download lieferbar
19 °P sammeln
37,95 €
Als Download kaufen
37,95 €
inkl. MwSt.
Sofort per Download lieferbar
19 °P sammeln
Jetzt verschenken
Alle Infos zum eBook verschenken
37,95 €
inkl. MwSt.
Sofort per Download lieferbar
Alle Infos zum eBook verschenken
19 °P sammeln
Feminism and Film Theory (eBook, ePUB)
Redaktion: Penley, Constance
- Format: ePub
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei
bücher.de, um das eBook-Abo tolino select nutzen zu können.
Hier können Sie sich einloggen
Hier können Sie sich einloggen
Sie sind bereits eingeloggt. Klicken Sie auf 2. tolino select Abo, um fortzufahren.
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei bücher.de, um das eBook-Abo tolino select nutzen zu können.
First published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.
- Geräte: eReader
- mit Kopierschutz
- eBook Hilfe
- Größe: 13.06MB
Andere Kunden interessierten sich auch für
- An Intergenerational Feminist Media Studies (eBook, ePUB)41,95 €
- Hannah HamadPostfeminism and Paternity in Contemporary US Film (eBook, ePUB)42,95 €
- The Ghost Reader (eBook, ePUB)19,95 €
- Gender and Popular Visual Culture in India (eBook, ePUB)42,95 €
- Peter BlooreThe Screenplay Business (eBook, ePUB)47,95 €
- Ecocinema Theory and Practice 2 (eBook, ePUB)0,99 €
- Gesture and Film (eBook, ePUB)41,95 €
-
-
-
First published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 280
- Erscheinungstermin: 4. Juli 2013
- Englisch
- ISBN-13: 9781135201050
- Artikelnr.: 39191182
- Verlag: Taylor & Francis
- Seitenzahl: 280
- Erscheinungstermin: 4. Juli 2013
- Englisch
- ISBN-13: 9781135201050
- Artikelnr.: 39191182
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Constance Penley teaches film history and theory at the University of Rochester and is co-editor of Camera Obscura: A journal of Feminism and Film Theory. She 1s the author of The Future of an Illusion: Film, Feminism, and Psychoanalysis.
Chapter 1 Introduction The Lady Doesn
t Vanish: Feminism and Film Theory, Constance Penley; Chapter 2 The Place of Woman in the Cinema of Raoul Walsh, Pam Cook, Claire Johnston; Chapter 3 Dorothy Arzner: Critical Strategies, Claire Johnston; Chapter 4 Approaching the Work of Dorothy Arzner, Pam Cook; Chapter 5 Visual Pleasure and Narrative Cinema, Laura Mulvey; Chapter 6 Afterthoughts on
;Visual Pleasure and Narrative Cinemä inspired by Duel in the Sun[Laura Mulvey; Chapter 7 Rereading the Work of Claire Johnston, Janet Bergstrom; Chapter 8 Feminine Discourse in Christopher Strong[Jacquelyn Suter; Chapter 9 The Popular Film as a Progressive Text
a Discussion of Coma[Elizabeth Cowie; Chapter 10 Paranoia and the Film System, Jacqueline Rose; Chapter 11 Enunciation and Sexual Difference, Janet Bergstrom; Chapter 12 Alternation, Segmentation, Hypnosis: Interview with Raymond Bellour
An Excerpt, Janet Bergstrom; Chapter 13 Caughtand Rebecca:The Inscription of Femininity as Absence, Mary Ann Doane; Chapter 14 Woman
s Stake: Filming the Female Body, Mary Ann Doane; Chapter 15 India Song/Son nom de Venise dans Calcutta désert:The Compulsion to Repeat, Joan Copjec; Chapter 16 The Cinema of Lol V. Stein, Elisabeth Lyon;
t Vanish: Feminism and Film Theory, Constance Penley; Chapter 2 The Place of Woman in the Cinema of Raoul Walsh, Pam Cook, Claire Johnston; Chapter 3 Dorothy Arzner: Critical Strategies, Claire Johnston; Chapter 4 Approaching the Work of Dorothy Arzner, Pam Cook; Chapter 5 Visual Pleasure and Narrative Cinema, Laura Mulvey; Chapter 6 Afterthoughts on
;Visual Pleasure and Narrative Cinemä inspired by Duel in the Sun[Laura Mulvey; Chapter 7 Rereading the Work of Claire Johnston, Janet Bergstrom; Chapter 8 Feminine Discourse in Christopher Strong[Jacquelyn Suter; Chapter 9 The Popular Film as a Progressive Text
a Discussion of Coma[Elizabeth Cowie; Chapter 10 Paranoia and the Film System, Jacqueline Rose; Chapter 11 Enunciation and Sexual Difference, Janet Bergstrom; Chapter 12 Alternation, Segmentation, Hypnosis: Interview with Raymond Bellour
An Excerpt, Janet Bergstrom; Chapter 13 Caughtand Rebecca:The Inscription of Femininity as Absence, Mary Ann Doane; Chapter 14 Woman
s Stake: Filming the Female Body, Mary Ann Doane; Chapter 15 India Song/Son nom de Venise dans Calcutta désert:The Compulsion to Repeat, Joan Copjec; Chapter 16 The Cinema of Lol V. Stein, Elisabeth Lyon;
Chapter 1 Introduction The Lady Doesn
t Vanish: Feminism and Film Theory, Constance Penley; Chapter 2 The Place of Woman in the Cinema of Raoul Walsh, Pam Cook, Claire Johnston; Chapter 3 Dorothy Arzner: Critical Strategies, Claire Johnston; Chapter 4 Approaching the Work of Dorothy Arzner, Pam Cook; Chapter 5 Visual Pleasure and Narrative Cinema, Laura Mulvey; Chapter 6 Afterthoughts on
;Visual Pleasure and Narrative Cinemä inspired by Duel in the Sun[Laura Mulvey; Chapter 7 Rereading the Work of Claire Johnston, Janet Bergstrom; Chapter 8 Feminine Discourse in Christopher Strong[Jacquelyn Suter; Chapter 9 The Popular Film as a Progressive Text
a Discussion of Coma[Elizabeth Cowie; Chapter 10 Paranoia and the Film System, Jacqueline Rose; Chapter 11 Enunciation and Sexual Difference, Janet Bergstrom; Chapter 12 Alternation, Segmentation, Hypnosis: Interview with Raymond Bellour
An Excerpt, Janet Bergstrom; Chapter 13 Caughtand Rebecca:The Inscription of Femininity as Absence, Mary Ann Doane; Chapter 14 Woman
s Stake: Filming the Female Body, Mary Ann Doane; Chapter 15 India Song/Son nom de Venise dans Calcutta désert:The Compulsion to Repeat, Joan Copjec; Chapter 16 The Cinema of Lol V. Stein, Elisabeth Lyon;
t Vanish: Feminism and Film Theory, Constance Penley; Chapter 2 The Place of Woman in the Cinema of Raoul Walsh, Pam Cook, Claire Johnston; Chapter 3 Dorothy Arzner: Critical Strategies, Claire Johnston; Chapter 4 Approaching the Work of Dorothy Arzner, Pam Cook; Chapter 5 Visual Pleasure and Narrative Cinema, Laura Mulvey; Chapter 6 Afterthoughts on
;Visual Pleasure and Narrative Cinemä inspired by Duel in the Sun[Laura Mulvey; Chapter 7 Rereading the Work of Claire Johnston, Janet Bergstrom; Chapter 8 Feminine Discourse in Christopher Strong[Jacquelyn Suter; Chapter 9 The Popular Film as a Progressive Text
a Discussion of Coma[Elizabeth Cowie; Chapter 10 Paranoia and the Film System, Jacqueline Rose; Chapter 11 Enunciation and Sexual Difference, Janet Bergstrom; Chapter 12 Alternation, Segmentation, Hypnosis: Interview with Raymond Bellour
An Excerpt, Janet Bergstrom; Chapter 13 Caughtand Rebecca:The Inscription of Femininity as Absence, Mary Ann Doane; Chapter 14 Woman
s Stake: Filming the Female Body, Mary Ann Doane; Chapter 15 India Song/Son nom de Venise dans Calcutta désert:The Compulsion to Repeat, Joan Copjec; Chapter 16 The Cinema of Lol V. Stein, Elisabeth Lyon;