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Note: First part of the trilogy "The Thirteen."
Ferragus (Full title: Ferragus, chef des Dévorants; English: Ferragus, Chief of the Devorants) is an 1833 novel by French author Honoré de Balzac (1799–1850) and included in the Scènes de la vie parisienne section of his novel sequence La Comédie humaine. It is part of his trilogy Histoire des treize: Ferragus is the first part, the second is La Duchesse de Langeais and the third is The Girl with the Golden Eyes. Ferragus first appeared in the Revue de Paris and was then published by the firm Charles-Béchet.
The novel is set around the
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Produktbeschreibung
Note: First part of the trilogy "The Thirteen."

Ferragus (Full title: Ferragus, chef des Dévorants; English: Ferragus, Chief of the Devorants) is an 1833 novel by French author Honoré de Balzac (1799–1850) and included in the Scènes de la vie parisienne section of his novel sequence La Comédie humaine. It is part of his trilogy Histoire des treize: Ferragus is the first part, the second is La Duchesse de Langeais and the third is The Girl with the Golden Eyes. Ferragus first appeared in the Revue de Paris and was then published by the firm Charles-Béchet.

The novel is set around the year 1820. Auguste de Maulincour, a young cavalry officer, walking in a Parisian district of ill repute, sees from afar a young married woman, Clemence, with whom he is secretly in love. He sees her enter a house of ill repute. The young married woman is widely recognized in Parisian society as a paragon of marital virtue—what is her secret? Auguste decides to spy on the woman to find out. He finds her in the company of a man named Ferragus. In the days that follow, Auguste uncovers the secrets of powerful and mysterious people and escapes several assassination attempts. Subsequently, Auguste is killed, but before he dies, he reveals Clemence's secret to her husband, Jules Desmarets, a very rich stockbroker. Ferragus is none other than Clemence's father.

It is revealed that Ferragus used to be a rich, handsome boy, a member of the Order of Devorants, who was imprisoned in 1806. He had escaped imprisonment and lived in Paris under various names and disguises. In 1815, Ferragus became involved in several sordid businesses.

    Ferragus is, according to ancient custom, a name taken by the chief or Grand Master of the Devorants. On the day of their election these chiefs continue whichever of the dynasties of their Order they are most in sympathy with, precisely as the Popes do, on their accession, in connection with pontifical dynasties. Thus the Devorants have "Trempe-la Soupe IX.," "Ferragus XXII.," "Tutanus XIII.," "Masche-Fer IV.," just as the Church has Clement XIV., Gregory VII., Julius II., Alexander VI., etc. Now, then, who are the Devorants? "Devorant" is the name of one of those tribes of "Companions" that issued in ancient times from the great mystical association formed among the workers of Christianity to rebuild the temple at Jerusalem.
    —Honoré de Balzac, Ferragus, Chief of the Devorants,

The novel has a tragic theme, with the death of both Auguste and Clemence, as well as the despair of Jules and the physical decrepitude of Ferragus.

 
Autorenporträt
Honoré de Balzac, born on May 20, 1799, in Tours, France, stands as a giant in the world of literature, renowned for his keen observation and multifaceted characters that continue to captivate readers to this day. Balzac was a pivotal figure in the French literary movement of realism, and his magnum opus, 'La Comédie Humaine', a collection of interlinked novels and stories depicting French society, remains a crowning achievement in the novel form. Among Balzac's extensive catalog, 'Ferragus, Chief of the Dévorants' is notable. This first part of the trilogy 'Histoire des treize' delves into the hidden undercurrents of Parisian society through a gripping tale of passion and clandestine organizations. Balzac's portrayal of human nature is complex and nuanced, unflinchingly capturing the aspirations and failings of the bourgeois and the struggling. His meticulous attention to detail and vibrant characterizations have left an enduring impression on the development of the novel as an art form. His influence extends far and wide, with later writers such as Marcel Proust, Charles Dickens, and Henry James citing him as an inspiration. His legacy, ratified by his election to the French Academy in 1850, mere months before his death on August 18 of that year, has cemented his status as a titan of literature whose works resonate with timeless universality and psychological depth.