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"This lively and original study of fetishism in post-1960 American fiction is noteworthy for its ambitious scope, scrupulous research, cultural timeliness, and striking insights into the role played by literary texts in a contemporary moment." - Ellen E. Berry, Professor of English and Culture Studies, Bowling Green State University
"This lively, elegant, and provocative analysis puts zip back into the study of postmodern narrative, reminding us how radical that experimental fiction once seemed and indeed remains. Kocela's revisionist fetish theory reclaims and historicizes fetishism as a subversive strategy and a constructive means of reimagining and negotiating sexual, racial, and class difference. For all his theoretical sophistication, Kocela also has the refreshing modesty to acknowledge that fiction by Reed, Pynchon, Acker, Coover, and Hawkes, while frequently appropriating theory by the likesof Freud, Lacan, and Butler, always exceeds it." - John M. Krafft, Associate Professor of English, Miami University-Hamilton