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Film & Ethics considers a range of films and texts of film criticism alongside disparate philosophical discourses of ethics by Levinas, Derrida, Foucault, Lacanian psychoanalysts and postmodern theorists.
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Film & Ethics considers a range of films and texts of film criticism alongside disparate philosophical discourses of ethics by Levinas, Derrida, Foucault, Lacanian psychoanalysts and postmodern theorists.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 160
- Erscheinungstermin: 10. September 2009
- Englisch
- ISBN-13: 9781135232009
- Artikelnr.: 42980896
- Verlag: Taylor & Francis
- Seitenzahl: 160
- Erscheinungstermin: 10. September 2009
- Englisch
- ISBN-13: 9781135232009
- Artikelnr.: 42980896
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Lisa Downing is Professor of French Discourses of Sexuality at the University of Exeter. Her publications include Patrice Leconte (2004), From Perversion to Purity: The Stardom of Catherine Deneuve, ed. with Sue Harris (2007), and The Cambridge Introduction to Michel Foucault (2008).
Libby Saxton is Lecturer in French and Film Studies at Queen Mary, University of London. She is author of Haunted Images: Film, Ethics, Testimony and the Holocaust (2008) and co-editor of Seeing Things: Vision, Perception and Interpretation in French Studies (2002).
Libby Saxton is Lecturer in French and Film Studies at Queen Mary, University of London. She is author of Haunted Images: Film, Ethics, Testimony and the Holocaust (2008) and co-editor of Seeing Things: Vision, Perception and Interpretation in French Studies (2002).
Introduction Section 1: Representation and Spectatorship Section 1 Introduction 1. 'Tracking Shots are a Question of Morality': Ethics
Aesthetics
Documentary 2. Testing Positive: Gender
Sexuality
Representation 3. The South looks back: Ethics
Race
Cultural Identity 4. Ethics
Spectatorship and the Spectacle of Suffering 5. Pornography and the Ethics of Censorship Section 2: Theory
Ethics
Film Section 2 Introduction 6. Blinding Visions: Levinas
Ethics
Faciality 7. Deconstructive Ethics: Derrida
Dryer
Responsibility 8. Foucault in Focus: Ethics
Surveillance
Soma 9. The Cinematic Ethics of Psychoanalysis: Futurity
Death Drive
Desire 10. What if we are Post-Ethical? Postmodernism's Ethics and Aesthetics
Aesthetics
Documentary 2. Testing Positive: Gender
Sexuality
Representation 3. The South looks back: Ethics
Race
Cultural Identity 4. Ethics
Spectatorship and the Spectacle of Suffering 5. Pornography and the Ethics of Censorship Section 2: Theory
Ethics
Film Section 2 Introduction 6. Blinding Visions: Levinas
Ethics
Faciality 7. Deconstructive Ethics: Derrida
Dryer
Responsibility 8. Foucault in Focus: Ethics
Surveillance
Soma 9. The Cinematic Ethics of Psychoanalysis: Futurity
Death Drive
Desire 10. What if we are Post-Ethical? Postmodernism's Ethics and Aesthetics
Introduction Section 1: Representation and Spectatorship Section 1 Introduction 1. 'Tracking Shots are a Question of Morality': Ethics, Aesthetics, Documentary 2. Testing Positive: Gender, Sexuality, Representation 3. The South looks back: Ethics, Race, Cultural Identity 4. Ethics, Spectatorship and the Spectacle of Suffering 5. Pornography and the Ethics of Censorship Section 2: Theory, Ethics, Film Section 2 Introduction 6. Blinding Visions: Levinas, Ethics, Faciality 7. Deconstructive Ethics: Derrida, Dryer, Responsibility 8. Foucault in Focus: Ethics, Surveillance, Soma 9. The Cinematic Ethics of Psychoanalysis: Futurity, Death Drive, Desire 10. What if we are Post-Ethical? Postmodernism's Ethics and Aesthetics
Introduction Section 1: Representation and Spectatorship Section 1 Introduction 1. 'Tracking Shots are a Question of Morality': Ethics
Aesthetics
Documentary 2. Testing Positive: Gender
Sexuality
Representation 3. The South looks back: Ethics
Race
Cultural Identity 4. Ethics
Spectatorship and the Spectacle of Suffering 5. Pornography and the Ethics of Censorship Section 2: Theory
Ethics
Film Section 2 Introduction 6. Blinding Visions: Levinas
Ethics
Faciality 7. Deconstructive Ethics: Derrida
Dryer
Responsibility 8. Foucault in Focus: Ethics
Surveillance
Soma 9. The Cinematic Ethics of Psychoanalysis: Futurity
Death Drive
Desire 10. What if we are Post-Ethical? Postmodernism's Ethics and Aesthetics
Aesthetics
Documentary 2. Testing Positive: Gender
Sexuality
Representation 3. The South looks back: Ethics
Race
Cultural Identity 4. Ethics
Spectatorship and the Spectacle of Suffering 5. Pornography and the Ethics of Censorship Section 2: Theory
Ethics
Film Section 2 Introduction 6. Blinding Visions: Levinas
Ethics
Faciality 7. Deconstructive Ethics: Derrida
Dryer
Responsibility 8. Foucault in Focus: Ethics
Surveillance
Soma 9. The Cinematic Ethics of Psychoanalysis: Futurity
Death Drive
Desire 10. What if we are Post-Ethical? Postmodernism's Ethics and Aesthetics
Introduction Section 1: Representation and Spectatorship Section 1 Introduction 1. 'Tracking Shots are a Question of Morality': Ethics, Aesthetics, Documentary 2. Testing Positive: Gender, Sexuality, Representation 3. The South looks back: Ethics, Race, Cultural Identity 4. Ethics, Spectatorship and the Spectacle of Suffering 5. Pornography and the Ethics of Censorship Section 2: Theory, Ethics, Film Section 2 Introduction 6. Blinding Visions: Levinas, Ethics, Faciality 7. Deconstructive Ethics: Derrida, Dryer, Responsibility 8. Foucault in Focus: Ethics, Surveillance, Soma 9. The Cinematic Ethics of Psychoanalysis: Futurity, Death Drive, Desire 10. What if we are Post-Ethical? Postmodernism's Ethics and Aesthetics