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This book explores how post-death existence is represented in popular film, looking at issues such as continuity, personal identity, and the nature of existence beyond the grave. Film often returns to the theme of dying, death and the afterlife, both directly and indirectly, because there are very few subjects as compelling and universal.

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Produktbeschreibung
This book explores how post-death existence is represented in popular film, looking at issues such as continuity, personal identity, and the nature of existence beyond the grave. Film often returns to the theme of dying, death and the afterlife, both directly and indirectly, because there are very few subjects as compelling and universal.


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Autorenporträt
David Rankin is an ordained minister of the Uniting Church in Australia and has served as both Principal of Trinity College Queensland, Australia, and Head of the School of Theology at Griffith University, Australia. His publications in the field include Tertullian and the Church (1995), From Clement to Origen (2006), Athenagoras (2009), and The Early Church and the Afterlife (2017).

Rezensionen
"Film and the Afterlife appears in the theologically grounded "Routledge Studies in Religion and Film Series." Rankin (an Australia-based academic and minister) establishes a dialogue among films, theological traditions, and sundry forms of research (e.g., neuroscience, sociology) to ascertain what popular culture showcases as afterlife. Mostly exploring liminal spaces between life and death, Rankin examines such commercially successful films as Ghost and Sixth Sense and also less familiar ones, such as Dragonfly. (But where is the wildly comic This Is the End?) The author strategically attends to them as texts worthy to be understood on their own terms as he explores such fascinating subjects as whether inhabitants of such liminal spaces need to resolve unfinished business before moving on (ideally upward) and prevailing archetypal tropes of heaven, e.g., light. He deals with various stages of the afterlife, continuity between the stages and what personal identity in the afterlife might look like, depictions of post-death existence of mind and embodiment, possibilities of communication between the worlds of the quick and the dead, and, finally, the understanding of the purpose and meaning of the afterlife for spectators of the films."

- T. Lindvall, Virginia Wesleyan University, CHOICE