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Fully revised and updated to bring it in line with contemporary film analysis and new material published, this new edition now includes revised chapters, new illustrations, film theories and an expanded treatment of special effects and spectacle.
- Geräte: PC
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- Größe: 9.18MB
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Fully revised and updated to bring it in line with contemporary film analysis and new material published, this new edition now includes revised chapters, new illustrations, film theories and an expanded treatment of special effects and spectacle.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis eBooks
- Seitenzahl: 272
- Erscheinungstermin: 13. Juli 2006
- Englisch
- ISBN-13: 9781136784927
- Artikelnr.: 38273158
- Verlag: Taylor & Francis eBooks
- Seitenzahl: 272
- Erscheinungstermin: 13. Juli 2006
- Englisch
- ISBN-13: 9781136784927
- Artikelnr.: 38273158
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Graeme Turner is Professor of Cultural Studies and Director of the Centre for Critical and Cultural Studies at the University of Queensland, Brisbane, Australia. He has published many books on media and cultural studies including British Cultural Studies: An Introduction, Understanding Celebrity and The Film Cultures Reader.
List of Illustrations Acknowledgements General Editor's Preface Preface
Introduction 1. The Feature Film Industry The Feature Film Today The
Establishment of the Feature Film American Domination of the Feature Film
Industry New Competitors, New Strategies, New Hollywood Spectacle Versus
Narrative Suggestions for Further Work 2. From Seventh Art to Social
Practice: A History of Film Studies Early Aesthetic Approaches Realist
Approaches Bazin Auteurs and Genres The Institutionalization of Film
Studies Film as Social Practice Suggestions for Further Work 3. Film
Languages Culture and Language Film as a Signifying Practice The Signifying
Systems Reading the Film Suggestions for Further Work 4. Film Narrative
The Universality of Story The Function of Narrative Structuralism and
Narrative Codes and Conventions Genre Narrative and Narration Suggestions
for Further Work 5. Film Audiences Specifying the Audience Stars The Film
Experience The Film Spectator and Psychoanalysis Audience Identification
Desire and the Image Audiences, Texts and Meanings Cultural Identities
Suggestions for Further Work 6. Film, Culture and Ideology Film and
National Culture A National Cinema: the Australian Revival Ideology in the
Text Issues in Ideological Analysis Suggestions for Further Work 7.
Applications Butch Cassidy and the Sundance Kid Desperately Seeking Susan
Conclusion References Index
Introduction 1. The Feature Film Industry The Feature Film Today The
Establishment of the Feature Film American Domination of the Feature Film
Industry New Competitors, New Strategies, New Hollywood Spectacle Versus
Narrative Suggestions for Further Work 2. From Seventh Art to Social
Practice: A History of Film Studies Early Aesthetic Approaches Realist
Approaches Bazin Auteurs and Genres The Institutionalization of Film
Studies Film as Social Practice Suggestions for Further Work 3. Film
Languages Culture and Language Film as a Signifying Practice The Signifying
Systems Reading the Film Suggestions for Further Work 4. Film Narrative
The Universality of Story The Function of Narrative Structuralism and
Narrative Codes and Conventions Genre Narrative and Narration Suggestions
for Further Work 5. Film Audiences Specifying the Audience Stars The Film
Experience The Film Spectator and Psychoanalysis Audience Identification
Desire and the Image Audiences, Texts and Meanings Cultural Identities
Suggestions for Further Work 6. Film, Culture and Ideology Film and
National Culture A National Cinema: the Australian Revival Ideology in the
Text Issues in Ideological Analysis Suggestions for Further Work 7.
Applications Butch Cassidy and the Sundance Kid Desperately Seeking Susan
Conclusion References Index
List of Illustrations Acknowledgements General Editor's Preface Preface
Introduction 1. The Feature Film Industry The Feature Film Today The
Establishment of the Feature Film American Domination of the Feature Film
Industry New Competitors, New Strategies, New Hollywood Spectacle Versus
Narrative Suggestions for Further Work 2. From Seventh Art to Social
Practice: A History of Film Studies Early Aesthetic Approaches Realist
Approaches Bazin Auteurs and Genres The Institutionalization of Film
Studies Film as Social Practice Suggestions for Further Work 3. Film
Languages Culture and Language Film as a Signifying Practice The Signifying
Systems Reading the Film Suggestions for Further Work 4. Film Narrative
The Universality of Story The Function of Narrative Structuralism and
Narrative Codes and Conventions Genre Narrative and Narration Suggestions
for Further Work 5. Film Audiences Specifying the Audience Stars The Film
Experience The Film Spectator and Psychoanalysis Audience Identification
Desire and the Image Audiences, Texts and Meanings Cultural Identities
Suggestions for Further Work 6. Film, Culture and Ideology Film and
National Culture A National Cinema: the Australian Revival Ideology in the
Text Issues in Ideological Analysis Suggestions for Further Work 7.
Applications Butch Cassidy and the Sundance Kid Desperately Seeking Susan
Conclusion References Index
Introduction 1. The Feature Film Industry The Feature Film Today The
Establishment of the Feature Film American Domination of the Feature Film
Industry New Competitors, New Strategies, New Hollywood Spectacle Versus
Narrative Suggestions for Further Work 2. From Seventh Art to Social
Practice: A History of Film Studies Early Aesthetic Approaches Realist
Approaches Bazin Auteurs and Genres The Institutionalization of Film
Studies Film as Social Practice Suggestions for Further Work 3. Film
Languages Culture and Language Film as a Signifying Practice The Signifying
Systems Reading the Film Suggestions for Further Work 4. Film Narrative
The Universality of Story The Function of Narrative Structuralism and
Narrative Codes and Conventions Genre Narrative and Narration Suggestions
for Further Work 5. Film Audiences Specifying the Audience Stars The Film
Experience The Film Spectator and Psychoanalysis Audience Identification
Desire and the Image Audiences, Texts and Meanings Cultural Identities
Suggestions for Further Work 6. Film, Culture and Ideology Film and
National Culture A National Cinema: the Australian Revival Ideology in the
Text Issues in Ideological Analysis Suggestions for Further Work 7.
Applications Butch Cassidy and the Sundance Kid Desperately Seeking Susan
Conclusion References Index