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Films from Saudi Arabia, the Balkans, Russia and South Korea are used in this book to illustrate the links between performative utterance, created scenes and acts. In doing this the author poses the question of whether citizens are stepping out of dominant cultural ideologies to overcome social, ethnic, religious and economic divisions.

Produktbeschreibung
Films from Saudi Arabia, the Balkans, Russia and South Korea are used in this book to illustrate the links between performative utterance, created scenes and acts. In doing this the author poses the question of whether citizens are stepping out of dominant cultural ideologies to overcome social, ethnic, religious and economic divisions.


Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Milja Radovic is an academic working in the interdisciplinary field of religion, media and citizenship studies. Her academic studies traverse several fields, including citizenship, nationalism, conflict, peacebuilding and visual arts, gender studies, transnational cinema and ideology. Alongside her academic work she is actively engaged with the public sector, being an active member of Interfilm and serving as a juror at several International film festivals.