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Designed for researchers seeking new ways to explore their field and media professionals aiming to extend their practice, this filmmaking handbook shows you how to plug in to issues at the intersection of documentary cinema and ethnography. Exploring the unique potential for filmmaking to describe lifeworlds and the role of video editing in generating new ideas about human experience, it offers practical and theoretical advice for those making their first films. Based on over twenty years of teaching and industry experience, Filmmaking for fieldwork aims to inspire the development of core…mehr
Designed for researchers seeking new ways to explore their field and media professionals aiming to extend their practice, this filmmaking handbook shows you how to plug in to issues at the intersection of documentary cinema and ethnography. Exploring the unique potential for filmmaking to describe lifeworlds and the role of video editing in generating new ideas about human experience, it offers practical and theoretical advice for those making their first films. Based on over twenty years of teaching and industry experience, Filmmaking for fieldwork aims to inspire the development of core skills in camera use, sound recording and editing that can be applied to sensory, observational, participatory, reflexive and immersive modes of storytelling. Written for a multi-disciplinary audience, this book covers all stages necessary to produce a documentary film, from conception through to preparation, production, editing and distribution.
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Autorenporträt
Andy Lawrence is a filmmaker and Senior Lecturer in Visual Anthropology at the University of Manchester
Inhaltsangabe
Section 1: Why make a documentary film? Technique Approach Ethics Section 2: Preparation Writing a film proposal Selecting equipment Establishing control Lighting Section 3: Recording Fieldwork relationships Image Sound Operating in key situations Archive Section 4: Editing Preparation for an edit Designing your film Beginning an edit Rough cutting to find a story Technique and style Feedback Titles and credits Fine cutting Editing and mixing sound Mastering Section 5: Distribution Sharing your work Writing about your work Film festivals and screening events Publication Afterword: The journey continues Index
Section 1: Why make a documentary film? Technique Approach Ethics Section 2: Preparation Writing a film proposal Selecting equipment Establishing control Lighting Section 3: Recording Fieldwork relationships Image Sound Operating in key situations Archive Section 4: Editing Preparation for an edit Designing your film Beginning an edit Rough cutting to find a story Technique and style Feedback Titles and credits Fine cutting Editing and mixing sound Mastering Section 5: Distribution Sharing your work Writing about your work Film festivals and screening events Publication Afterword: The journey continues Index
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