The church of San Carlo alle Quattro Fontane, also called San Carlino, is an architectural artefact that continues to attract numerous hypotheses and geometric analyses attempting to explain its form and meaning.
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'Finding San Carlino adds substantially to the understanding of Borromini's iconic masterpiece while signposting new terrain in the ever elusive phenomenal experience of geometry and proportionality.' - John Abell, Associate Professor, Architecture, Washington State University, USA
'A polyhedric masterpiece scrutinized through a kaleidescopic lens.' - Joseph Connors, Professor of History of Art and Architecture, Harvard University, USA
'The nuanced writing and analysis of Adil Mansure and Skender Luarasi's Finding San Carlino offers a wealth of new insight into Borromini's masterwork. While the book can be savoured as a fundamental historical reference, it also has a striking resonance with the deeply interwoven geometries and complex systems of today's changing world. The writing retraces original models and drawings and combines this with acute observation of tangible spaces in the immersive interior and iconic dome exterior, and with wide-ranging examination of the philosophy, cultural history and politics surrounding the project. This generous portrait of the building evokes constantly-shifting creativity and intelligence, testifies to the fundamental depth and contemporary relevance of this extraordinary work of architecture.' - Philip Beesley, Professor of Architecture, University of Waterloo, Canada
'A polyhedric masterpiece scrutinized through a kaleidescopic lens.' - Joseph Connors, Professor of History of Art and Architecture, Harvard University, USA
'The nuanced writing and analysis of Adil Mansure and Skender Luarasi's Finding San Carlino offers a wealth of new insight into Borromini's masterwork. While the book can be savoured as a fundamental historical reference, it also has a striking resonance with the deeply interwoven geometries and complex systems of today's changing world. The writing retraces original models and drawings and combines this with acute observation of tangible spaces in the immersive interior and iconic dome exterior, and with wide-ranging examination of the philosophy, cultural history and politics surrounding the project. This generous portrait of the building evokes constantly-shifting creativity and intelligence, testifies to the fundamental depth and contemporary relevance of this extraordinary work of architecture.' - Philip Beesley, Professor of Architecture, University of Waterloo, Canada