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A Complete Voice Training Manual For Actors A simple, step-by-step manual, written by an RSC voice coach, which offers everything that an actor needs to work on their voice. Suitable for actors at all levels, from students and young professionals to established and experienced actors. Drama teachers in schools and committed amateur actors who want to increase their vocal skills and understanding will also find it invaluable. Includes sections on: - Preparation - Body Work - Breathing and Support - Breathing Into Sound: Supporting the Voice - Releasing the Sound - Filling out the Sound:…mehr

Produktbeschreibung
A Complete Voice Training Manual For Actors A simple, step-by-step manual, written by an RSC voice coach, which offers everything that an actor needs to work on their voice. Suitable for actors at all levels, from students and young professionals to established and experienced actors. Drama teachers in schools and committed amateur actors who want to increase their vocal skills and understanding will also find it invaluable. Includes sections on: - Preparation - Body Work - Breathing and Support - Breathing Into Sound: Supporting the Voice - Releasing the Sound - Filling out the Sound: Resonance - Extending the Sound: Range - Shaping the Sound: Articulation - Trouble-Shooting. Each chapter begins with a brief introduction, then clearly and succinctly sets out a sequence of relevant exercises - accompanied by simple diagrams - ending with a summary of what we have learned. 'Brilliantly guides the actor using exercises and tools that can revolutionise the voice. It's a boon!' Joseph Fiennes 'Barbara's work is simple and practical, encouraging each actor to be free and fluid with their own voice... Very inspiring' Emily Watson 'Barbara has a great understanding of the way that actors' anxieties can affect their voice. Her tone is calm, reassuring and good humoured' Niamh Cusack

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Autorenporträt
Barbara Houseman has more than 25 years experience in the theatre. In 1991 she joined the voice department at RSC, becoming Associate Director at the Young Vic six years later. As a freelance she has done voice and text work on several high-profile shows and conducted workshops all over the world.