This book relies on intertextual theory to examine the relation of these conceptions of life, death, disease and Eros within the novel to the thought of Novalis, Arthur Schopenhauer, Friedrich Nietzsche and Sigmund Freud. Exploring the dialogic clash of their conceptions together with the sociological implications of their work, this author investigates how the relationships between Der Zauberberg and the intertexts influence the reader's interpretation of the nature of life, death, disease and Eros as well as the effect they have on the culture depicted in the novel.
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